CD: Gaussian Curve - Clouds | reviews, news & interviews
CD: Gaussian Curve - Clouds
CD: Gaussian Curve - Clouds
An improvised musical soup that boasts broth without the noodles
Ever wondered what being a psychic would be like? Not the "being a fraudulent, cheap-trick magician drunk on the mere suggestion of power over a willing and eager mark" thing – but really being able to know people’s thoughts as they think them. In reality, hearing the insipid mind-screams of strangers would be spirit-crushingly dull, like watching Question Time without the mute button, but there is a less prosaic window into the mind that music offers us – improvisation.
Gaussian Curve is a project featuring ambient veteran Gigi Masin, Land of Light multi-instrumentalist Jonny Nash and electronic producer Young Marco. Clouds is the result of improvised sessions that took place over a weekend in Amsterdam. Putting aside the fact they managed to get anything done at all while other visitors were busy grabbing at their own hallucinations, this is a remarkable album. The voices are clear and clearly defined – Gigi Masin’s Rhodes floats gently over what could easily be Young Marco remixes of Land of Light tracks – which is pretty much job done right there. But while there are moments of languid lucidity, the really interesting stuff happens in the tentative, building back and forth as confidence, structure and thought processes build.
“Impossible Island” is a great example. The song’s dynamic takes place in something of an audio tunnel – bottom and top are strictly defined – and this means there’s little to play with. Nuance and tone become the defining factors and this plays to the ensemble’s strengths. Meanwhile, “Broken Clouds” is a similar victory of economy over space with pulsating, rhythmic keys providing the bedrock for the understated guitar-as-pad-synth tones and atmospheres.
Of all the eight tracks, “The Longest Road” is, perhaps, the pinnacle of this process. It's the most fully realised song on the album, yet it feels as embedded as its neighbours – more defined perhaps – but certainly cut to the same pattern with similar care and attention to detail. The fact that this is all done on-the-fly is a startling achievement and one that gives us a glimpse of magic we can believe in.
Overleaf: Listen to "Impossible Island"
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