Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Rag'n'Bone Man - Human

Debut from already-famous Brighton soul star presses the right buttons

share this article

It’s an extraordinary story about a ordinary-seeming guy. No one can accuse the industry of promoting pretty blond teens this time. Rory Graham, the emerging blues-tinged soul star from the deep south – Sussex, of course, or the Uck Delta, perhaps – has built his reputation from the ground up, working as a carer, initially, as he developed the Rag’n’Bone Man persona.

He’s now 32, but even before Rag’n’Bone Man, he learned music by doing it: rapping, MCing in jungle clubs, and singing at blues festivals his dad (who has a big collection of Muddy Waters and BB King) took him to. With a much more diverse musical heritage than many chart-toppers, and more time to assimilate his influences, he has more musical layers than many a breakthrough artist. Whether they all work together is another question.

He radiates the kind of dependable goodwill you’d like to find in an older brother or uncle

The single and title-track “Human” was deservedly dropped down many a chimney over Christmas, and its huge success across Europe as well as UK is largely down to the appealing blend of raw, bluesy vocal tone, sympathetic lyrics and a verse-chorus song structure. “Skin”, another belter, has a similar effect.

His voice is always distinctive, though some of the songs are (effective, but) more conventional ballad material: “Be the Man”, “Arrow” and “Bitter End” could be sung successfully by many different performers. Soul is his subject matter, but blues, gospel and bits of rap run through the mix too. On the less memorable songs, that variety can be rather homogenised. None of these songs is less than pleasant, but only “Human” and “Skin” really stand out. Live, though, he has a charisma that more than matches his substantial physical presence. He radiates the kind of dependable goodwill you’d like to find in an older brother or uncle, while the floor-trembling voice is awesome. Coming to a festival near you, soon.

@matthewwrighter

The single and title-track 'Human' was deservedly dropped down many a chimney over Christmas

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

On the origins of WOMAD, music documentaries and Tarot
Super-pummelling metal that's been assembled with a refreshing sense of imagination
30 years into their career, Idlewild were on snappy form in Glasgow
Hitherto unknown tracks from the totemic British punks' earliest days with Stiff Records
A father mourned and a lover found, all in one extraordinary breath
A subtle, potent raging against the dying of the light from a low key great
The US singer-songwriter offsets glacial shimmer with a dive into electric-guitar freakiness
The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain