CD: Röyksopp - The Inevitable End

Röyksopp have mustered fantastic moments during their career, notably the awesome floor-filler "Eple", one of pop’s most joyous, bouncy instrumentals. Since appearing at the turn of the century from the creative excitement of Norway’s second city, Bergen, which was bubbling over with electronic mavericks at the time, they have released four albums, each riding enthusiastically, accessibly and imaginatively across the landscape of electronic pop, usually with a strong house flavour.

The duo - Svein Berge and Torbjørn Brundtland – have stated that the mood of this album is flavoured by events in their personal lives. It’s fast clear those events are broken love, betrayal, infidelity, and the existential meaning of human relationships. Take the fabulous, driving  “Save Me” with vocals by singer-songwriter Susanne Sundfør, which talks of “coming down hard, hard as hell”, and hits home like the Pet Shop Boys in a bad mood having it out with Orbital. The Inevitable End is overflowing with such drama, assisted by well-judged vocals from Robyn (with whom Röyksopp recently did the Do It Again mini-album), Jamie McDermott from London cult band The Irrepressibles, the aforementioned Sundfør, and a Welsh singer called Ryan James, whose fragile tones add pathos to the pulsing “Sordid Affair”.

Röyksopp have long written music that falls into the lineage of classic heritage electronica – Kraftwerk, Vangelis and so on, - and tracks such as “Coup de Grace” tip their hat to that, as well as being rich with swelling emotion redolent of cult soundtrack kingpins such as Francis Lai and Michael Nyman. The version of the album I have comes with a second CD called Prologue which contains five extra tracks. All of these are easy on the ear but nothing matches the striking electro-pop grandeur of the main event.

Overleaf: Watch the video for "Monument" by Röyksopp and Robyn