London’s South Bank to be engulfed by the past | reviews, news & interviews
London’s South Bank to be engulfed by the past
London’s South Bank to be engulfed by the past
Relive the popular culture of Britain’s past at The Festival Hall
Tuesday, 12 July 2011
Vintage at Southbank Centre will celebrate the pop culture of Britain's past
The weekend of 29 to 31 July will see London's Festival Hall transformed into what the venue describes as a “multi–venue vintage playground”. Vintage, founded by Wayne and Gerardine Hemingway, comes to London for the first time to celebrate the popular culture of Britain’s past. The Festival Hall is a fitting host, as it was constructed for 1951’s Festival of Britain and is, itself, a piece of living history.
The weekend of 29 to 31 July will see London's Festival Hall transformed into what the venue describes as a “multi–venue vintage playground”. Vintage, founded by Wayne and Gerardine Hemingway, comes to London for the first time to celebrate the popular culture of Britain’s past. The Festival Hall is a fitting host, as it was constructed for 1951’s Festival of Britain and is, itself, a piece of living history.
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Music Reissues Weekly: Hawkwind - X In Search Of Space, Doremi Fasol Latido
Must-have box-set editions of two of British rock’s most important albums
Albums of the Year 2024: Samara Joy - Portrait
From Grammy triumphs to sonic odysseys: nine of the year's most transcendent jazz albums
Albums of the Year 2024: Mercury Rev - Born Horses
An exploration of inner space, freeze-dried electronica, French nursery rhymes and more
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María
Art that creates it's own (deliriously wild) lane
Albums of the Year 2024: Kneecap - Fine Art
The music sector finely emerges from the long shadow of Covid with a bumper year
Albums of the Year 2024: Kenny Barron - Beyond This Place
Consistently glorious - nothing less than a very great album
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969
A wild ride with the ‘You Keep me Hanging on’ hitmakers
Albums of the Year 2024: Meemo Comma - Decimation of I
A concept album from the perspective of an infected planet provides succour and sustenance
Albums of the Year 2024: Amelia Coburn - Between the Moon and the Milkman
An array of albums that have set 2024 alight for this writer
Album: Ajukaja & Mart Avi - Death of Music
Estonian electronica duo enter a domain where nothing is explicit
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industry
Noise veterans deck the halls with feedback and dry ice
Album: Ben Folds - Sleigher
Folds’ nuanced originals are much better than the by-numbers seasonal covers
Add comment