Michael Kiwanuka video exclusive | reviews, news & interviews
Michael Kiwanuka video exclusive
Michael Kiwanuka video exclusive
The London soul singer shares a unique acoustic version of his recent single 'I’ll Get Along'
Friday, 31 August 2012
Michael Kiwanuka gets contemplative
Back in March theartsdesk reviewed the much anticipated debut album by 24-year-old Londoner Michael Kiwanuka, winner of the BBC’s Sound of 2012 poll and a man possessed of a voice not so much to be reckoned with as unconditionally surrendered to.
A rich blending of old-school analogue soul influences – our critic Russ Coffey picked up on similarities to Bill Withers, Otis Redding and Gil Scott-Heron – and elements of folk, jazz and R&B, Home Again is a slow, smooth ride back to the Seventies. Retro, yes, and hardly ground-breaking, but full of beautifully crafted songs and a deep, enduring warmth of spirit.
Taking a break from his extensive touring schedule, Kiwanuka recently holed up in an old loft in North London to record a unique and intimate acoustic version of his single, “I’ll Get Along”, exclusively for theartsdesk.
Loading the player ...
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Albums of the Year 2024: Mercury Rev - Born Horses
An exploration of inner space, freeze-dried electronica, French nursery rhymes and more
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María
Art that creates it's own (deliriously wild) lane
Albums of the Year 2024: Kneecap - Fine Art
The music sector finely emerges from the long shadow of Covid with a bumper year
Albums of the Year 2024: Kenny Barron - Beyond This Place
Consistently glorious - nothing less than a very great album
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969
A wild ride with the ‘You Keep me Hanging on’ hitmakers
Albums of the Year 2024: Meemo Comma - Decimation of I
A concept album from the perspective of an infected planet provides succour and sustenance
Albums of the Year 2024: Amelia Coburn - Between the Moon and the Milkman
An array of albums that have set 2024 alight for this writer
Album: Ajukaja & Mart Avi - Death of Music
Estonian electronica duo enter a domain where nothing is explicit
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industry
Noise veterans deck the halls with feedback and dry ice
Album: Ben Folds - Sleigher
Folds’ nuanced originals are much better than the by-numbers seasonal covers
Vampire Weekend, OVO Hydro, Glasgow review - a mixture of brilliance and self-indulgence
The New Yorkers offered dancers, covers and great songs in a lengthy set
Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight
A night of old and new from a leftfield virtuoso
Comments
Very nice, how could anyone
Whats with the awful lighting