Winter Olympics pics - and why 2012 pictograms score badly | reviews, news & interviews
Winter Olympics pics - and why 2012 pictograms score badly
Winter Olympics pics - and why 2012 pictograms score badly
Wednesday, 03 March 2010
Shaun Botterill/ Getty Images
The Big Picture has a collection of some extraordinary photos of the Winter Olympics here. Below pic credit: Martin Bureau/AFP/Getty Images
Meanwhile, the New York Times has posted a fascinating video piece (below) about Olympic signage and the designs of the pictograms used in differerent sports. From the Berlin Olympics of 1936 via the psychedelic design of the 1968 Mexico Olympics to London 2012. The Munich, Beijing and Athens Olympics all are rated highly for design. London's for 2012 aren't in the medals: "they look as if a child has done them. Primitive, perhaps - but not in a good way."
Meanwhile, the New York Times has posted a fascinating video piece (below) about Olympic signage and the designs of the pictograms used in differerent sports. From the Berlin Olympics of 1936 via the psychedelic design of the 1968 Mexico Olympics to London 2012. The Munich, Beijing and Athens Olympics all are rated highly for design. London's for 2012 aren't in the medals: "they look as if a child has done them. Primitive, perhaps - but not in a good way."
The Big Picture has a collection of some extraordinary photos of the Winter Olympics here. Below pic credit: Martin Bureau/AFP/Getty Images
Meanwhile, the New York Times has posted a fascinating video piece (below) about Olympic signage and the designs of the pictograms used in differerent sports. From the Berlin Olympics of 1936 via the psychedelic design of the 1968 Mexico Olympics to London 2012. The Munich, Beijing and Athens Olympics all are rated highly for design. London's for 2012 aren't in the medals: "they look as if a child has done them. Primitive, perhaps - but not in a good way."
Meanwhile, the New York Times has posted a fascinating video piece (below) about Olympic signage and the designs of the pictograms used in differerent sports. From the Berlin Olympics of 1936 via the psychedelic design of the 1968 Mexico Olympics to London 2012. The Munich, Beijing and Athens Olympics all are rated highly for design. London's for 2012 aren't in the medals: "they look as if a child has done them. Primitive, perhaps - but not in a good way."
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Our Mothers review - revisiting the horrors of Guatemala's civil war
Hard-hitting first feature from director Cesar Diaz
Britten Sinfonia, The Marian Consort, Milton Court review - a journey around turbulent spirit Gesualdo
Contemporary homages among the works in this celebration of the Renaissance 'badass'
Music Reissues Weekly: Little Girls - Valley Songs
Deserved tribute to the Los Angeles new wave popsters who failed to click
DVD/Blu-ray: The Holdovers
Bittersweet, beautifully observed seasonal comedy - not just for Christmas
Kingdom of the Planet of the Apes review - a post-human paradise
A richly suggestive new era for the franchise reconnects with its 1968 start
Sappho, Southwark Playhouse Elephant review - a glitzy celebration of sapphic love
Too much camp and not enough content in this tribute to the Greek poet
Classical CDs: Coffee, peppercorns and puppets
A prolific conductor's centenary celebrated, plus Hungarian ballet music and baroque keyboard concertos
The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!
A compelling case for ROH's ballet-friendly rebrand
Gomyo, National Symphony Orchestra, Kuokman, National Concert Hall, Dublin review - painful brilliance around a heart of darkness
A violinist for all facets of a towering Shostakovich masterpiece
Sansara, Manchester Collective, Bridgewater Hall, Manchester review - sense of a unique experience
Three world premieres all respond to Feldman’s Rothko Chapel
Album: Ani DiFranco - Unprecedented Sh!t
Tough, uncompromising, unflinching
La Chimera review - magical realism with a touch of Fellini
Josh O’Connor excels as an archaeologist turned graverobber in the Italian countryside
Add comment