The Seckerson Tapes: Catherine Malfitano Interview | reviews, news & interviews
The Seckerson Tapes: Catherine Malfitano Interview
The Seckerson Tapes: Catherine Malfitano Interview
One of the great Toscas of her generation on directing the opera for the ENO
Sunday, 09 May 2010
She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO podcast, Catherine Malfitano says that it's high time we moved on from the Tosca-as-diva portrayal - that, she says, should remain offstage where Puccini left it.
She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO podcast, Catherine Malfitano says that it's high time we moved on from the Tosca-as-diva portrayal - that, she says, should remain offstage where Puccini left it.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Opera
Help to give theartsdesk a future!
Support our GoFundMe appeal
Owen Wingrave, RNCM, Manchester review - battle of a pacifist
Orpha Phelan brings on the big guns for Britten’s charge against war
Tales of Apollo and Hercules, London Handel Festival review - compelling elements, but a failed experiment
Conceptually the two cantatas just don't work together
La finta giardiniera, The Mozartists, Cadogan Hall review - blooms in the wild garden
Mozart's rambling early opera can still smell sweet
Der fliegende Holländer, Irish National Opera review - sailing to nowhere
Plenty of strong singing and playing, but the staging is static or inept
Die Zauberflöte, Royal Academy of Music review - first-rate youth makes for a moving experience
The production takes time to match Mozart's depths, but gets there halfway through
Mansfield Park, Guildhall School review - fun when frothy, chugging in romantic entanglements
Jonathan Dove’s strip-cartoon Jane Austen works well as a showcase for students
Uprising, Glyndebourne review - didactic community opera superbly performed
Jonathan Dove and April De Angelis go for the obvious, but this is still a rewarding project
Fledermaus, Irish National Opera review - sex, please, we're Viennese/American/Russian/Irish
Vivacious company makes the party buzz, does what it can around it
The Capulets and the Montagues, English Touring Opera review - the wise guys are singing like canaries
There's a bel canto feast when Bellini joins the Mob
Mary, Queen of Scots, English National Opera review - heroic effort for an overcooked history lesson
Heidi Stober delivers as beleaguered regent, but Thea Musgrave's opera is limiting
Festen, Royal Opera review - firing on every front
No slack in Mark-Anthony Turnage's operatic treatment of the visceral first Dogme film
Add comment