Robin Rhode: Variants, White Cube Hoxton | reviews, news & interviews
Robin Rhode: Variants, White Cube Hoxton
Robin Rhode: Variants, White Cube Hoxton
Humour and nifty footwork from South African animation artist
Thursday, 09 June 2011
Still from 'Piano Chair' by Robin RhodeWhite Cube
Robin Rhode’s animations are pure pleasure; there’s perfection in their simplicity. They are so perfectly tuned, so light on their feet, that one simply wants to enjoy them; but because they are multilayered, they offer more than momentary pleasure. Rhode was born in South Africa and, in many ways, he is the Banksy of Johannesburg. In the late 1990s he began using the scruffy walls of the city as a canvas on which to make drawings which he describes as a “dreamscape to the impossible”.
Robin Rhode’s animations are pure pleasure; there’s perfection in their simplicity. They are so perfectly tuned, so light on their feet, that one simply wants to enjoy them; but because they are multilayered, they offer more than momentary pleasure. Rhode was born in South Africa and, in many ways, he is the Banksy of Johannesburg. In the late 1990s he began using the scruffy walls of the city as a canvas on which to make drawings which he describes as a “dreamscape to the impossible”.
He tried to break into a white chalk drawing of a car before pelting the image with stones in apparent frustration
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