I Am the Wind, Young Vic

I Am the Wind, Young Vic | reviews, news & interviews

I Am the Wind, Young Vic

Norwegian Jon Fosse’s play fabulously directed by theatre legend Patrice Chéreau

by Aleks SierzTuesday, 10 May 2011

Two men in a boat: Tom Brooke and Jack Laskey in Jon Fosse’s ‘I Am the Wind’Simon Annand

Today’s Britons are a minor miracle of globalised taste. Typically, we are amazingly eclectic: we eat curry and sushi, read Swedish novels or South American magic realists, dress like Italians, drive German cars, listen to world music. Our houses are full of Scandinavian design. Our favourite films are as likely to be made in China or Afghanistan as in Hollywood. So, watching the British premiere of a new play by Norwegian Jon Fosse directed by French theatre legend Patrice Chéreau, one is compelled to ask: why are we so suspicious of foreign drama?

Fosse’s subject is the human condition, and this sparsely written play pares down the question of existence to its bare essentials

Buy

I Am the Wind on Amazon

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Theatre

A Christmas Carol, Old Vic review - tidings of discomfort and noise This venue’s annual festive classic is joyous, but its writing is frankly patronizing

[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully Revival of New York show lifts the spirits

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime Despite anticipating disaster, this mesmerising voyage is full of hope

Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting New play about young black men and cryptocurrency is sadly predictable

Burnt Up Love, Finborough Theatre review - scorching new play Super writing and acting jolts us out of complacency

L’Addition, BAC review - top billing for physical comedy duo The latest in Forced Entertainment’s 40 years of experiment is a thought-tickling farce

Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to Spain The 'Emily in Paris' star surrenders to cliche - or does she?

Guards at the Taj, Orange Tree Theatre review - miniature marvel with rich resonances Rajiv Joseph’s play pitting beauty against duty gets an impressive staging

The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues? Hanif Kureishi classic gets a compulsively comic makeover from Emma Rice

How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy Lots of heartache, but a strange void where the heart of the play should be

Dr Strangelove, Noël Coward Theatre review - an evening of different parts Kubrick’s humour doesn't always detonate as it should in Armando Iannucci's version

Reykjavik, Hampstead Theatre review - drama frozen by waves of detail Richard Bean’s new play revisits the Hull fishing industry of the 1970s

Follow @theartsdesk