Tactical Questioning, Tricycle Theatre | reviews, news & interviews
Tactical Questioning, Tricycle Theatre
Tactical Questioning, Tricycle Theatre
New verbatim drama based on the Baha Mousa case is horrific but predictable
Monday, 06 June 2011
Cross examinations: Thomas Wheatley as Elias in ‘Tactical Questioning’Tristram Kenton
Verbatim theatre has been the flavour of political theatre for the past two decades, and no theatre has done more to promote this style of public witnessing than the Tricycle in Kilburn, north London. Its artistic director, Nicolas Kent, has created a special style of verbatim drama called tribunal theatre, where the results of long-running public inquiries or trials are edited into an evening’s viewing. His latest venture, Tactical Questioning: Scenes from the Baha Mousa Inquiry, which opened last night, illustrates the pros and cons of this type of infotainment.
Verbatim theatre has been the flavour of political theatre for the past two decades, and no theatre has done more to promote this style of public witnessing than the Tricycle in Kilburn, north London. Its artistic director, Nicolas Kent, has created a special style of verbatim drama called tribunal theatre, where the results of long-running public inquiries or trials are edited into an evening’s viewing. His latest venture, Tactical Questioning: Scenes from the Baha Mousa Inquiry, which opened last night, illustrates the pros and cons of this type of infotainment.
Although this play is based on reality, it is pre-empting the actual report of the inquiry, and this is a high-risk strategy
Buy
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable
New production lands on shaky ground in 2024
Wicked review - overly busy if beautifully sung cliffhanger
Musical theatre behemoth becomes an outsized film - and this is just part one
King James, Hampstead Theatre review - UK premiere drains a three-pointer
LeBron James comes and goes, and comes back again to the Cavs
A Christmas Carol, Old Vic review - tidings of discomfort and noise
This venue’s annual festive classic is joyous, but its writing is frankly patronising
[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully
Revival of New York show lifts the spirits
ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime
Despite anticipating disaster, this mesmerising voyage is full of hope
Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting
New play about young black men and cryptocurrency is sadly predictable
Burnt Up Love, Finborough Theatre review - scorching new play
Super writing and acting jolts us out of complacency
L’Addition, BAC review - top billing for physical comedy duo
The latest in Forced Entertainment’s 40 years of experiment is a thought-tickling farce
Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to Spain
The 'Emily in Paris' star surrenders to cliche - or does she?
Guards at the Taj, Orange Tree Theatre review - miniature marvel with rich resonances
Rajiv Joseph’s play pitting beauty against duty gets an impressive staging
The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?
Hanif Kureishi classic gets a compulsively comic makeover from Emma Rice
Add comment