Spain
Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish garage rockers surviving and thrivingSunday, 23 February 2025
Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can't blame them for lacking faith.The Spanish duo later admitted they weren't sure they'd ever be playing... Read more... |
The Split: Barcelona, BBC One review - a soapy special with seasonally adjusted sentimentalityMonday, 30 December 2024
Maybe it was the timing, even though most of the action takes place in bright sunlight, that made The Split’s two-parter uncharacteristically soft-centred. This was a Christmas-but-filmed-last-summer special, often a guarantee of a mushy mash-... Read more... |
Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to SpainWednesday, 06 November 2024
The Catalan capital has given its name to a famous number in the Stephen Sondheim musical, Company. And here it is lending geographical specificity to the second two-hander, following the far-superior Camp Siegfried, from American writer Bess Wohl... Read more... |
The Room Next Door review - Almodóvar out of his comfort zoneTuesday, 29 October 2024
Towards the end of the last century, the Spanish director Pedro Almodóvar made a run of screwball comedies, starting with Women on the Verge of a Nervous Breakdown (1988) and Tie Me Up! Tie Me Down! (1989), and ending with All About My Mother (... Read more... |
First Person: Katharina Kastening on directing slimline Bizet in a year rich in 'Carmen' productionsSaturday, 06 July 2024
Peter Brook's reimagining of Bizet's Carmen condenses the scale of the original into a more intimate theatrical experience. The score has been starkly cut, the orchestra reduced, and only four singing roles remain: Carmen, Don José, Escamillo and... Read more... |
Le nozze di Figaro, Garsington Opera review - fine-tuned telling it as it isSaturday, 29 June 2024
“Tradition is sloppiness,” Mahler the opera conductor is credited with saying. But in the case of old master John Cox’s long-serving Garsington production of the greatest of operatic comedes, not if it’s refreshed with the subtlest insights in to... Read more... |
Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggleMonday, 10 June 2024
Success in running a large and expanding dance-house enterprise requires knowing when to play safe and when to play with fire, trusting that your audience will come with you. Sadler’s Wells’ annual Flamenco Festival is now such an established... Read more... |
Carmen, Royal Opera review - strong women, no sexual chemistry and little stage focusSaturday, 06 April 2024
When will the Royal Opera give us a totally electrifying Carmen, rather than just a vocally perfect Carmen (as Aighul Akhmetshina surely is)? Supposed firebrand Damiano Michieletto’s production is mostly tepid after Barrie Kosky’s half-brilliant... Read more... |
Carmen, English National Ballet review - lots of energy, even violence, but nothing new to sayWednesday, 03 April 2024
The story of Carmen is catnip to choreographers. No matter how many times this 180-year-old narrative has been tweaked and reframed in art, theatre, opera, dance and film, they keep coming back for more – which is curious when you consider that... Read more... |
Out of Season, Hampstead Theatre review - banter as bullyingWednesday, 28 February 2024
One island off the coast of Spain has more cultural oomph than all the rest put together. I’m talking about Ibiza, the sun-soaked, music-happy and drug-friendly paradise for anyone in their roaring luved-up twenties who wants a break that will fry... Read more... |
First Person: Ten Years On - Flamenco guitarist Paco Peña pays tribute to his friend, the late, great Paco de LucíaSunday, 25 February 2024
There are moments that forever remain imprinted in our consciousness, engraved on the general map of our lives. I cannot forget the excitement of seeing snow for the first time in Córdoba, aged three or four, rushing to walk on it only to slip... Read more... |
Sánchez, National Symphony Orchestra, Martín, National Concert Hall, Dublin review - Spanish panacheSaturday, 24 February 2024
Ravel’s Boléro, however well you think you know it, usually wows in concert with its disconcerting mix of sensuality, fun and violence. Context can make it even more powerful: in this case as the culmination of NSO Chief Conductor Jaime Martín’s... Read more... |
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