tue 12/12/2017

adaptation

The Box of Delights, Wilton's Music Hall review - children's classic novel transferred to stage

Theatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this ambitious new production, an adaptation of the 1935 children’s book, The Box of Delights. Long before Narnia, poet laureate John Masefield...

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The best TV to watch this week

Sick of the early onset of Christmas? Just watch television instead (though preferably not the news). Try these out for size?Sunday 10 DecemberBlue Planet II, BBC One - 7th and final episode of David Attenborough's epic of the oceans, with...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.American Made ★★★★ Doug Liman's bouncy action caper revisits the...

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Howards End finale, BBC One review - who isn't going to miss the Schlegel sisters?

How good was Howards End (BBC One)? Practically flawless. Even if it broke into a bit of an action-packed sprint towards the dénouement, it’s been a triumphant reaffirmation of EM Forster, a canonical favourite back in the 1980s courtesy of Merchant...

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'She has escaped from my Asylum!': The Woman in White returns

The Woman in White insists on being told and retold. Wilkie Collins’s much loved thriller is perhaps the most widely and frequently adapted of all the great Victorian novels. In Marian Halcombe it has a resourceful heroine whose appeal doesn't rest...

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Blu-ray: Jabberwocky

Jabberwocky is all the more enjoyable once you get past what it isn’t; Terry Gilliam’s 1977 directorial debut is a medieval romp starring Michael Palin and a short-lived Terry Jones, but audiences shouldn’t expect a Monty Python film. Gilliam and...

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David Edgar: 'Ebenezer Scrooge is alive and well'

Since mid-August, I’ve been doing something I swore I’d never do again. I’ve been rehearsing a new adaptation of a novel by Charles Dickens. Sometime in the autumn of 1979, I received a phone call from Trevor Nunn, artistic director of the Royal...

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The Bear, Mid Wales Opera review - small stage, big ambitions

Go west, opera-lover: Mid Wales Opera is back in business. In fact, it’s been back since spring this year, when it toured venues in Wales and England with a warmly reviewed Handel Semele and a striking (and impressively cast) Magic Flute inspired by...

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Howards End, BBC One review - EM Forster adaptation is finding its footing

Can it really be a quarter-century since that finest of all Merchant-Ivory film adaptations, Howards End, was first released? So it is, astonishingly, which surely means the time is ripe for a fresh celluloid take on EM Forster's enduring 1910 novel...

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The Exorcist, Phoenix Theatre review - see the movie

Although playwright John Pielmeier, who has written this stage adaptation of The Exorcist, reckons that “I adapted the novel, not the film,” the indelible images from William Friedkin’s 1973 movie were always bound to define an audience’s...

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The Slaves of Solitude, Hampstead Theatre review - crude, over-dramatic and under-motivated

The Second World War is central to our national imagination, yet it has been oddly absent from our stages recently. Not any more. Nicholas Wright’s new play, an adaptation of Patrick Hamilton’s 1947 novel about lonely English women and American...

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

It's not every day that an actor breaks your heart playing a character who surrenders his. But that's among the numerous achievements of Timothée Chalamet's knockout performance in Call Me By Your Name. Playing a culturally savvy and...

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