thu 25/04/2024

America

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great jazz pianists, was called Songs from Home, released on the New York indie jazz label Palmetto Records towards the end of 2020. Silent, Listening, released this month on...

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The Songs of Joni Mitchell, Roundhouse review - fans (old and new) toast to an icon of our age

For most people’s 40th birthday celebrations, they might get a few friends together, rustle up a cake, and toast to another turn around the sun. But when musician Lail Arad realised the stars had aligned with her beloved Joni Mitchell's own 80th...

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Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s Machinal. It hits hard as a 1920s mechanical symphony with a lyrical slow movement and words/cliches used...

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The Comeuppance, Almeida Theatre review - remembering high-school high jinks

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American playwright Branden Jacobs-Jenkins’s The Comeuppance might, just might, lead me to reflect on the wisdom of revisiting the...

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Civil War review - God help America

Alex Garland’s fourth movie as writer/director is a chilling glimpse of an American dystopia, fortuitously timed for the run-up to the forthcoming US elections. However, it steers fastidiously clear of drawing any obvious Trump vs Biden parallels,...

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Album: Maggie Rogers - Don't Forget Me

For the past almost two years, Maggie Rogers has taken an unexpectedly special place in my heart and musical tastes. Upon reviewing her previous album, Surrender, because of the difference in style and sound to my usual tastes I was caught...

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Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable life by Patricia Clarkson in London's latest version of Long Day's Journey into Night, which has arrived on the West End (and at the same...

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Album: Beyoncé - Cowboy Carter

The second act of a trilogy, launched with “Renaissance” (2022), Beyoncé’s latest release has been loudly proclaimed as her “Country” album. In a tradition of surprising and controversial self-reinventions that includes among others Bob Dylan’s...

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Mothers' Instinct review - 'Mad Women'

This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-...

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Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

The Menier Chocolate Factory has made something of a habit of late out of trawling unexpected corners of the contemporary American repertoire. A happy result of that last May was the local premiere of the Off Broadway show ...

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MJ the Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside

In a secret chamber somewhere, the producers of MJ the Musical may be keeping a portrait of the King of Pop that has acquired all his scars, physical and psychological.Few of them, though, are on show in this version of the ongoing Broadway hit...

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First person: playwright Paul Grellong on keeping pace with American politics

I’m writing this in the lobby of the Menier Chocolate Factory a couple of hours before the first preview. I was last here in February for the start of rehearsals. In the time since, I’ve made a handful of, one hopes, helpful adjustments to the...

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