fri 28/04/2017

club music

The Best Albums of 2017

Disc of the Day reviews new albums, week in, week out, all year. Below are the albums that our writers gave four or five stars, the ones they think are a cut above the rest. Click on any one of them to find out why.Brian Eno: Reflection ★★★★★ Slow-...

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Albums of the Year: Autarkic - Can You Pass the Knife?

2016 has been a big year for Tel Aviv’s burgeoning underground scene. Acts including Red Axes, Moscoman and Naduve have produced endlessly inventive music at an impressive pace and on a range of labels. Of these, Disco Halal, run by Chen Mosco and...

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CD: AYBEE - The Odyssey

Berlin's electronic music world has been traditionally been very white. Sometimes, as with the inward-looking minimal techno of the 2000s, it could feel painfully so. Obviously a city can't really help the nature of its demographic, but monoculture...

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CD: Hifi Sean - Ft.

One of the great things about club music is that it deals with ageing in very different ways to rock – and as such can offer fantastic creative rebirths. Witness theartsdesk's recent startling Q&A with Mark Hakwins aka Marquis Hawkes, who'd been...

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theartsdesk Q&A: Musician/DJ Mark Hawkins aka Marquis Hawkes

This is not a standard dance music story. Marquis Hawkes is one of the club music success stories of the past couple of years – since the first release in 2012 on Glasgow's revered Dixon Avenue Basement Jams, there've been many 12" club hits on...

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Campo Sancho 2016

“Ooooh, it’s gorgeous!” exclaimed my wife-to-be as we arrived at what had been described as “an oasis in Hertfordshire.” They weren’t kidding, either. The site for the inaugural festival organised by Notting Hill Carnival stalwarts Sancho Panza...

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CD: Wild Beasts - Boy King

In the early 2000s, a club called Trash in London, run by DJ Erol Alkan, introduced a wave of indie teenagers to the joys of electronic music, giving them a way into club culture that was all theirs and not beholden to the superstar DJs of the acid...

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Detroit: Techno City, Institute of Contemporary Arts

Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants...

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Sónar Barcelona 2016

A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the...

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Alfresco Festival 2016, Royal Tunbridge Wells

I looked around at the grime-flecked warehouse and surveyed the brick parquet floor. Even the dappled sunlight and birdsong couldn’t soften the realisation – or the ground, for that matter. “We’re going to struggle to get a tent peg in this,” I...

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CD: James Blake - The Colour in Anything / Skepta - Konnichiwa

Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic undercurrents of London's early 21st century ...

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CD: Jessy Lanza - Oh No

Canadian singer/producer Jessy Lanza's records – and this one more than ever – can feel like they're mapping an alternative history, one where populist and leftfield electronic music were never separate. Two aspects dominate her sound: her crisp,...

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