family relationships
If Only I Could Hibernate review - kids in grinding poverty in UlaanbaatarThursday, 18 April 2024
Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after their illiterate mother has returned to the countryside to look for work. They’ve run out of coal and wood... Read more... |
Heather McCalden: The Observable Universe review - reflections from a damaged lifeTuesday, 16 April 2024
Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial history, the death of her parents to AIDS, and the subsequent loss of her maternal grandmother, Nivia, who raised... Read more... |
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough dramaTuesday, 16 April 2024
History is very present in Philippa Gregory’s new play about Richard III. Literally - History is a character, played by Tom Kanji. He strides around in a pale trenchcoat, at first rather too glib and pleased with himself, but quickly sucked into the... Read more... |
Spencer Jones: Making Friends, Soho Theatre review - award-winning comedian mines his post-lockdown escape to the countryMonday, 15 April 2024
Lockdown feels more like a dream now: empty streets; bright, scarless skies; pan-banging at 8pm. Did it all happen? One part of our brains insists that it did; another resists such an overthrowing of what it means to be human. Try recalling events... Read more... |
Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in careThursday, 11 April 2024
"In care". It’s a phrase that, if it penetrates our minds at all, usually leads to distressing tabloid stories of children losing their lives at the hands of abusive parents (“Why oh why wasn’t this child in care?”) or of loving parents separated... Read more... |
Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalryFriday, 05 April 2024
The Brontë sisters and their ne'er-do-well brother will always make good copy. The brilliance of the women constrained by life in a Yorkshire parsonage contrasts dramatically with the wild moors around their home, while their early deaths lend... Read more... |
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friendsFriday, 05 April 2024
Before moving house, Sarah (Shirley Henderson) and Tom (Alan Tudyk) are throwing a final dinner for their best and oldest friends. Sarah wants it to be special. It turns out to be very special. Disastrous, in fact.Director Matt Winn’s black comedy... Read more... |
Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its MaryWednesday, 03 April 2024
Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable life by Patricia Clarkson in London's latest version of Long Day's Journey into Night, which has arrived on the West End (and at the same... Read more... |
Mothers' Instinct review - 'Mad Women'Sunday, 31 March 2024
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-... Read more... |
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choiceMonday, 11 March 2024
"We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one is tempted to respond, "yeah, right."As casually bruising a play as I know, Chekhov's wounding yet also brutally... Read more... |
Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling stagingFriday, 01 March 2024
Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Consent was for unproblematic... Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
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