Hollywood
Bogart: Life Comes in Flashes review - a Hollywood legend, warts and allSaturday, 14 December 2024
It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here... Read more... |
William J. Mann: Bogie & Bacall review - beyond the screenFriday, 13 December 2024
What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer, but there’s no doubt that Bogart being one half of... Read more... |
Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite AmericaWednesday, 25 September 2024
The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new... Read more... |
Bronco Billy, Charing Cross Theatre - schmaltzy musical brings the feelgood factor just when it's neededTuesday, 06 February 2024
When entering a particular, well-populated region of MusicalTheatreLand, one has to check in a few items at the border. Weary cynicism, the desire for narrative coherence, that nerve that starts to throb when sentimentality oozes across the fourth... Read more... |
Rock Hudson: All That Heaven Allowed review - the closeted life of a Hollywood greatFriday, 20 October 2023
Rock Hudson was built up as a silver screen archetype of heterosexual manhood, with his 6ft 5in frame and muscular physique, but his story has subsequently come to epitomise a Hollywood system built on illusions and delusions. Supposedly the kind of... Read more... |
Fool's Paradise review - unfunny stab at making fun of HollywoodTuesday, 29 August 2023
It must have looked like a funny idea on paper: a mute innocent stumbles into a Hollywood career, is mindlessly fêted by the industry and throws all its idiocies into stark relief. It’s an idea as old as the romances of Chretien de Troyes and... Read more... |
Blu-ray: The Cat and the Canary (1939) / The Ghost Breakers (1940)Tuesday, 06 December 2022
Paramount added a late “old dark house” mystery comedy to Hollywood’s annus mirabilis of 1939 by teaming Bob Hope with Paulette Goddard in The Cat and the Canary, skilfully directed by Elliott Nugent. The death-trap mansion in the Louisiana bayous... Read more... |
Elf, Dominion Theatre review - hit musical revival slays it againSaturday, 26 November 2022
Just about the three toughest tricks to pull off in the theatre are making a musical, making a family show and making characters so charming that even the most cynical in the house are pulling for the little guy (or not so little in this case). So... Read more... |
Blonde review - Marilyn Monroe thrown to the wolvesFriday, 30 September 2022
Andrew Dominik’s Blonde is an atrocity – a ghoulish biopic of Marilyn Monroe that luxuriates in her maltreatment and misery, culminating in protracted images of the star’s lonely death from barbiturate pills distractedly swallowed like candies and... Read more... |
Album: Kiefer Sutherland - Bloor StreetSaturday, 08 January 2022
Disclaimer: it’s a little unfair I’m reviewing Kiefer Sutherland’s third album. He seems alright, left-ish for an American, done his time in the bad boy lane, sense of humour, tried his hand at this and that, even as a rodeo-rider, and has... Read more... |
Spider-Man: No Way Home review - The web-slinger returnsThursday, 16 December 2021
A brief warning to readers: while effort is made to avoid spoilers, I would advise anyone who has somehow missed the massive amount of online speculation about the film’s plot to not read on. See the film first, and please come back. Right… on... Read more... |
Mank review – David Fincher’s brilliant, bitter-sweet paean to Hollywood’s Golden AgeWednesday, 02 December 2020
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw virus-conscious punters back to the big screen. The assertion was always fanciful, the pandemic being too long a... Read more... |
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