thu 22/02/2018

Italy

Explore Ensemble, EXAUDI, St John's Smith Square review - making sense of Nono

This was an evening of silence and shadow, a chill, moonlit meditation, where each sound demanded forensic attention. Enter the world of Luigi Nono and his admirers. As his compatriot Sciarrino wrote of Lo Spazio Inverso, which opened the...

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Roma Agrawal: Built review - solid love

"I've been known to stroke concrete," writes self-professed geek Roma Agrawal – and from the very beginning of her memoir-cum-introduction to structural engineering, Built, where she describes her awe as a toddler at the glass and steel canyon of...

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Classical CDs Weekly: Brahms, Sterndale Bennett, Fieri Consort

Brahms: Piano Concerto No. 2, Strauss: Burleske Joseph Moog (piano), Deutsche Radio Philharmonie/Nicholas Milton (Onyx)It's not you, it's me. That’s probably what I'd say to Brahms in attempting to explain why I generally prefer his craggy D minor...

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Having a Verdi ball: conductor Richard Farnes on Opera North's upcoming production

Commentators have, over the years, variously described Un ballo in maschera (A Masked Ball) as all things to all people: Verdi’s Tristan und Isolde, Verdi’s masterpiece, Verdi’s Don Giovanni, a pure love poem, and much more. It seems to me to be one...

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Grosvenor, Filarmonica della Scala, Chailly, Barbican review - Tchaikovsky’s force of destiny shines bright

You could probably guess from the assembling audience that the orchestra making its Barbican debut last night came from Milan. That many mink coats rarely congregate in a London concert hall. And under the baton of its music director Riccardo...

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DVD/Blu-ray: The Cat o' Nine Tails/Phenomena

Dario Argento’s Suspiria was confirmed as one of horror’s great fever dreams on its 40th anniversary re-release last year. The Cat o’ Nine Tails (1971) and Phenomena (1985) are lesser book-ends of the director’s peak period, when his global genre...

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Breaking the Rules, LSO St Luke's review – music and murder with Gesualdo

The “concert drama” is on the up, offering audiences a mingled-genre means to experience music and its context simultaneously. The author and singer Clare Norburn has an absolute peach of a story to tell in the "imagined testimony of Carlo Gesualdo...

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DVD/Blu-ray: Pulp

Get Carter’s imitators tried to recapture the laconic violence of a very local gangster film. Get Carter’s makers swapped Newcastle for Malta, and a sunny, absurdist farce which is among British cinema’s unclassifiable one-offs.Writer-director Mike...

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Cavalleria Rusticana/Pagliacci, Royal Opera review - one tenor, two samey brutes

Are "Cav and Pag" inseparable? Clearly not, to judge from Opera North's "Little Greats" and elsewhere, but it's still the pairing of choice. Tricky, because as music-theatre, Leoncavallo's drama of rough life entwined with rough art stands high...

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Ferrari: Race to Immortality review - death and glory in 1950s motor racing

And so the mini-boom in motor racing movies continues, this time with a look back at the history of Ferrari and the intense on-track battles of the 1950s, a decade in which the Scuderia won four of its 15 Formula One World Drivers Championships. In...

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

It's not every day that an actor breaks your heart playing a character who surrenders his. But that's among the numerous achievements of Timothée Chalamet's knockout performance in Call Me By Your Name. Playing a culturally savvy and...

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Crowe, The English Concert, Bicket, Milton Court review - Mozartian prima-donna perfection

Singing students from the Guildhall School should have been issued with a three-line whip to fill the inexplicably half-empty Milton Court concert hall for last night's charmer. After all, every musician, and not just sopranos, should know that this...

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