thu 14/12/2017

LSO

LSO, Alsop, Barbican review - Bernstein 100 opens not with celebrations but existential angst

Amen. The end – of a prayer, a service, even the Bible itself. But what, asks Leonard Bernstein’s Symphony No 3, Kaddish, if “Amen” is the beginning and not the end, the start of a conversation that hears the divine word and doesn’t say “So be it”...

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October, LSO, Strobel, Barbican review - Eisenstein with steel score

Forget the ersatz experience of Sergey Eisenstein's mighty silent films accompanied by slabs of Shostakovich symphonies composed years later. This collaboration between the London Symphony Orchestra and Kino Klassika is as close as we can ever come...

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Stravinsky Ballets, LSO, Rattle, Barbican review - the big three burn with focused energy

“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of Simon Rattle’s new era at the helm of the London Symphony Orchestra. Well, last night, with no celebratory overload around the main event, the...

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La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

For his monster concerts in 1840s Paris, Berlioz took pride in assembling and marshalling a "great beast of an orchestra". At the Barbican on Sunday night, the LSO filled the stage and fitted the bill. Their thoroughbred tradition of Berlioz...

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Tetzlaff, LSO, Rattle, Barbican review - a triumphant homecoming for the maestro

After all the talk and anticipation, at last some music. Simon Rattle took up the reins of the London Symphony Orchestra last night – as its first ever “Music Director” – with a programme dedicated to home-grown composers whose lives span the...

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Classical CDs Weekly: Dutilleux, Dvořák, Ravel, Tchaikovsky

Dvořák: Symphony No 9, Sibelius: Finlandia Chineke! Orchestra/Kevin John Edusei (Signum)These live performances mark the recording debut of the Chineke! Orchestra, an ensemble created by bassist Chi-chi Nwanoku to provide opportunities for BME...

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Prom 46 review: Gurrelieder, LSO, Rattle - gorgeous colours, halting movement in Schoenberg's monsterpiece

From sunset to sunrise, across aeons of time, usually flashes by in Schoenberg's polystylistic epic. Not last night at the Proms: Simon Rattle is too much in love with the sounds he can get from the London Symphony Orchestra - here verging on a...

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Kozhukhin, LSO, Rattle, Barbican

Gorgeous sound, shame about the movement – or lack of it. That seems to be the problem with too many of Simon Rattle's interpretations of late romantic music. It gave us a sclerotic Wagner Tristan und Isolde Prelude last night, Karajanesque and not...

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LSO, Haitink, Barbican

Bernard Haitink is one of the great Bruckner conductors of our time. His interpretations are expansive yet vivid and always go straight to the heart of the music. But he is also an old man, and physical frailty is increasingly inhibiting his work,...

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Tamestit, LSO, Roth, Barbican

François-Xavier Roth is a distinctive presence at the podium. He is short and immaculately attired, and first appearances could lead you to expect a civilised and uneventful evening. But the facade soon drops. His movements are brisk and erratic, as...

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Trpčeski, LSO, Roth, Barbican

In musical performance, if you get the start right and the end right, you can get away with a lot in between. In last night’s LSO concert under François-Xavier Roth there was a mixed bag of more and less successful beginnings and endings, but lots...

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Kaufmann, Mattila, LSO, Pappano, Barbican

Jonas Kaufmann’s legion of admirers could rest content. A well-received Lieder evening last week demonstrated that the world’s hottest tenor property had returned, both to London for a three-concert residency at the Barbican, and indeed to singing...

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