thu 21/11/2024

West End

Dr Strangelove, Noël Coward Theatre review - an evening of different parts

Even by Stanley Kubrick’s standards, Dr Strangelove went through an extraordinary evolutionary process. After starting it off as a serious film about nuclear war based on the 1958 novel Two Hours to Doom, he decided to turn it into a comedy with the...

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Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality in his part as written by O'Casey, but in Matthew Warchus's hands this is made an explicit element of...

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Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

Modernism is us. Today. For the past two decades plays by Samuel Beckett and Harold Pinter – which once upon a time bewildered their audiences and gave critics apoplexy – have become big West End hits. The avant-garde is now commercial. The...

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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The 39 Steps, Trafalgar Theatre review - return of an entertaining panto for grown-ups

Before the Plays That Went Wrong and the multi-role six-hander Operation Mincemeat, there was Patrick Barlow’s adaptation of The 39 Steps: four actors on a collision course with feasibility.Barlow is a comedy hero for creating the National...

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side...

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Rachel Parris, Leicester Square Theatre review - smart observations and satirical songs

Five years ago, Rachel Parris tells us, she never thought she would one day be married, a mother and a home owner. Now she's all three – and a stepmother as well – and this year is about to turn 40. It's quite a journey, which she talks about in her...

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Jack Docherty, Soho Theatre review - warm and witty childhood memoir

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star of Channel 4's sketch show Absolutely and more recently the Scottish comedy Scot Squad. And now he's on...

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Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgrade

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the West End. Red Pitch, Operation Mincemeat, For Black Boys… have already made their mark, and now this quirky musical for just two performers joins them.It’s been a long...

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Jonathan Pie, Duke of York's Theatre review - spoof political reporter takes no prisoners

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto, because it is 70 minutes of political invective, taking aim at a rogues' gallery of senior...

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Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight

Shakespeare’s plays have ever been meat for masher-uppers, from the bowdlerising Victorians to the modern filmed-theatre cycles of Ivo Van Hove. And Sir John Falstaff, as Orson Welles proved in Chimes at Midnight, can be the star of his very own...

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Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable life by Patricia Clarkson in London's latest version of Long Day's Journey into Night, which has arrived on the West End (and at the same...

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