Sam Marlowe
Bio

Sam trained as an actor, and began her writing career as a critic and features writer for What's On In London magazine. She later became the magazine's theatre editor, before going on to work at The Independent, where she regularly contributed arts features. She is now a freelance arts journalist and regular theatre critic for The Times, Metro and the Chicago Tribune, and a judge for Theatre Awards UK.

articles by Sam Marlowe

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…
If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…
There was something incongruous about seeing Basement Jaxx in a venue best known for regularly playing host to the likes of Scotland’s…
About a dacade ago and then again last year, Seattle’s proto-grungers, Melvins and Birmingham’s grindcore originators, Napalm Death hit the…
François Ozon’s film of Albert Camus's The Stranger, one of the most iconic works of French existential literature, is as well-paced and…
The baldness of the titles the writer-director Stefan Golaszewski gives his TV series — Him & Her, Mum, Marriage and now Babies — is a…
Sergei Loznitsa's historical drama Two Prosecutors, which he adapted from the novella written by the onetime Gulag prisoner Georgy Demidov…
theartsdesk’s Thomas H Green has lately been noting a “mellow production flatness” in modern pop and he’s really nailed a ubiquitous…
The title doesn’t refer to a void into which detectives disappear, but to Harry Hole, the fictional Norwegian sleuth created by novelist Jo…