sat 20/01/2018

David Kettle

Articles By David Kettle

Love, Cecil review - poignant, inspiring, and very sad

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Tabula Rasa, Traverse Theatre review - honest, compassionate, but not always convincing

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The Reagan Show review - engaging but frustrating

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Lammermuir Festival 2017 review - rich and deeply rewarding

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What Shadows, Royal Lyceum Theatre, Edinburgh review - compelling, urgent, unashamedly provocative

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Edinburgh Fringe 2017 review: Concerto for Comedian and Orchestra - gentle, old-fashioned humour

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Moon Dogs review - gritty, refreshing and very funny

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Edinburgh Festival 2017 review: Iestyn Davies, AAM - exquisite and enlightening

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Edinburgh Festival 2017 review: Verdi's Macbeth - exhilarating and overwhelming

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Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild Bore

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Edinburgh Festival 2017 review: Andreas Haefliger

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Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar Baby

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Edinburgh Festival 2017 review: The Divide

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Edinburgh Fringe 2017 reviews: Adam / Eve / Nassim

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Edinburgh Festival 2017 reviews: Rhinoceros / Flight

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City of Ghosts review - chilling but inspiring report on Syria's citizen journalists

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Britannia, Sky Atlantic review - Druids, sex and sorcery

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Weilerstein, Platt, Hallé, Elder, Bridgewater Hall, Manchest...

Alisa Weilerstein is making two visits to Manchester in just over three weeks. Last night it was with the Hallé, next time she’ll be guesting with...

The Final Year review - Greg Barker documents Obama's l...

"The Times They Are A-Changin'" has never sounded so menacing. The Brothers & Sisters’ gospel version accompanies the end credits of The...

CD: The Fiction Aisle - Jupiter, Florida

The third album from Thomas White under his Fiction Aisle moniker is a match for its delicious, under-heard predecessors. White remains best known...

The Post review - Spielberg's glorious paean to print

It beggars belief that, from the moment ...

Alexander Melnikov, Wigmore Hall review - three pianos, four...

Living-museum recitals on a variety of historic instruments pose logistical problems. Telling The Arts Desk about his award-nominated CD of mostly...

All's Well That Ends Well, Sam Wanamaker Playhouse revi...

It's the people who are problematic, not the play. That's one take-away sentiment afforded by Caroline Byrne's sparky and provocative take on ...