fri 17/05/2024

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Joan Baez, London Palladium review - fare-thee-well generosity

Read more...

CD: Dido - Still On My Mind

Read more...

Jill Abramson: Merchants of Truth review - news in the age of digital disruption

Read more...

CD: Morrissey and Marshall - And So It Began Again... Acoustically

Read more...

CD: Katie Doherty & The Navigators - And Then

Read more...

Albums of the Year 2018: Joan Baez - Whistle Down the Wind

Read more...

Katie Melua and Gori Women's Choir, Central Hall Westminster, London, review - Georgia on her mind

Read more...

CD: The Albion Christmas Band - Under the Christmas Tree

Read more...

Jools Holland and his Rhythm & Blues Orchestra, Royal Albert Hall review - all stand for the piano man

Read more...

CD: Cliff Richard - Rise Up

Read more...

The Ballads of Child Migration, St James's Church, Clerkenwell review - into the heart of darkness

Read more...

CD: Mumford & Sons - Delta

Read more...

The Simon & Garfunkel Story, Vaudeville Theatre review - more tribute act than theatre piece

Read more...

Album: Jeff Goldblum & The Mildred Snitzer Orchestra - The Capitol Studios Sessions

Read more...

CD: Rosanne Cash - She Remembers Everything

Read more...

CD: David Crosby - Here If You Listen

Read more...

Pages

latest in today

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Album: Billie Eilish - Hit Me Hard and Soft

So Billie Eilish’s new album has had its worldwide midnight release,...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...

Jack Doherty, Soho Theatre review - warm and witty childhood...

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...