Ryan Gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.
Articles By Ryan Gilbey
latest in today
Multiple Casualty Incident, The Yard Theatre review - NGO me...
We open on one of those grim, grim training rooms that all offices have - the apologetic sofa, the single electric kettle, the...
Spirited Away, London Coliseum review - spectacular re-imagi...
Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking ...
Album: Kings Of Leon - Can We Please Have Fun
The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to...
Brancusi, Pompidou Centre, Paris review - a sculptor's...
One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...
Album: Bab L'Bluz - Swaken
Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...
Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...
Album: Pokey LaFarge - Rhumba Country
Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...
L'Olimpiade, Irish National Opera review - Vivaldi...
In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...
Red Eye, ITV review - Anglo-Chinese relations tested in junk...
Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...