wed 08/05/2024

Saskia Baron

Articles By Saskia Baron

Laughing Boy, Jermyn Street Theatre review - impassioned agitprop drama

Read more...

Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'

Read more...

Io Capitano review - gripping odyssey from Senegal to Italy

Read more...

Monster review - superbly elliptical tale of a troubled boy

Read more...

The Lonely Londoners, Jermyn Street Theatre review - evocative portrait of the migrant experience

Read more...

The End We Start From review - watery apocalyptic drama with star turn

Read more...

Scala!!! interview with documentary co-directors Jane Giles and Ali Catterall

Read more...

The Boy and the Heron review - elegiac swan song by the Japanese anime master

Read more...

Every Body review - heartfelt American documentary

Read more...

Monica review - sombre American drama

Read more...

Fallen Leaves review - deliciously dry Finnish romcom

Read more...

32 Sounds: Interview with innovative documentarian Sam Green about his audio and visual feast

Read more...

May December review - a queasy take on sexual exploitation

Read more...

Is There Anybody Out There? review - autobiographical documentary on disability

Read more...

A Forgotten Man review - Switzerland's WW2 record haunts monochrome drama

Read more...

On the Adamant review - moving French documentary focusing on mental health

Read more...

Pages

latest in today

Album: Bab L'Bluz - Swaken

Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...

Album: Pokey LaFarge - Rhumba Country

Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...

Love Lies Bleeding review - a pumped-up neo-noir

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...