sun 19/05/2024

Sebastian Scotney

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Articles By Sebastian Scotney

Proms 29 / 30, Swedish Chamber Orchestra, Dausgaard review - Bach Brandenburgs and beyond

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Paul Simon, BST Hyde Park review - still sprightly after 76 years

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Eric Clapton, Carlos Santana and Steve Winwood, BST Hyde Park review - the Clapton faithful in their droves

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Falstaff, Garsington Opera review - Sir John under pressure

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Giulio Cesare, Glyndebourne review - no weak link

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Robert Gordon: Memphis Rent Party review - a fast-moving Mississippi anthology

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Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow and slower Strauss

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Gregory Porter, Royal Albert Hall review - impressive first night for the Nat King Cole & Me tour

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Dialogues des Carmélites, Guildhall School review - calm and humane drama of faith

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Joyce DiDonato and Brentano Quartet, Wigmore Hall - not enough variety

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Jaron Lanier: Dawn of the New Everything review - pioneer of virtual reality tells his story

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Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expect

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An Evening with Pat Metheny, Barbican - sheer joy under the Missouri sky

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Marcel Proust: Letters to the Lady Upstairs - a very slim volume

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Grenfell Tower Benefit Concert, Cadogan Hall - stellar line-up for a vital cause

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Sigrid Rausing: Mayhem review - you want it darker?

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Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...