New Music Interviews
10 Questions for Musician Fuse ODGThursday, 23 October 2014
Anglo-Ghanaian musician Fuse ODG – born Nana Richard Abiona – is a leading exponent of the new Afrobeats movement, which combines Western pop and rap with Nigerian and Ghanaian pop, and some stylistic elements from the Fela Kuti-inspired Afrobeat scene. Unlike many of his contemporaries on the scene, Fuse spent many years of his childhood in Ghana, returning to London for secondary school, and has detailed first-hand experience of both cultures. Read more... |
10 Questions for Musician Jamie CullumWednesday, 08 October 2014
Since self-releasing his debut album Heard It All Before in 1999, Jamie Cullum has gone on to become the UK's biggest selling jazz artist of all time. Since April 2010, he has also presented a weekly jazz show on BBC Radio 2, for which he won a Sony Gold award this year. Read more... |
theartsdesk Q&A: Musician Holly JohnsonSaturday, 04 October 2014
Holly Johnson (b 1960) is most famous for being lead singer of 1980s pop sensation Frankie Goes to Hollywood. He was born and raised in Liverpool where, as a teenager he threw himself wholeheartedly into the city’s post-punk scene centred around the club Eric’s. Read more... |
10 Questions for Musician Gruff RhysSaturday, 20 September 2014
It hardly sounds like the springboard for an album, a film, a book and an app. In the 1780s a young Welsh explorer called John Evans journeyed across the unmapped North American continent in search of a tribe of Welsh-speaking Native Americans. His only source for the tribe’s existence – and linguistic preference – was a legend which claimed that a Welsh prince by the name of Madog ab Owain Gwynedd discovered the New World 300 years before Columbus. Read more... |
10 Questions for Singer Sarah-Jane MorrisSaturday, 13 September 2014
Sarah-Jane Morris is in every sense an original voice. One of Britain’s most distinctive and versatile singers, she has enjoyed commercial success, spending five weeks at number 1 with the Communards’ version of "Don’t Leave Me This Way" in 1986, and selling 100,000 of her self-titled solo album in 1989. She has the distinction of having “Me and Mrs Jones”, which featured on the album, banned by the BBC for suspected lesbianism. Read more... |
theartsdesk Q&A: DJ Gilles PetersonSaturday, 12 July 2014
DJ, broadcaster and all-round musical pioneer Gilles Peterson is one of the most influential figures in contemporary music. In a career that has grown from a DIY pirate station to running a succession of record labels, global DJing appearances and his own Worldwide Awards, he’s become famous for his commitment to the most unexpected combinations of new sounds and genres, drawn from restless collaborations worldwide. Read more... |
10 Questions for Bassist Marcus MillerMonday, 07 July 2014
This year’s edition of the Gnawa Festival in the medina of the beautiful coastal town of Essaouira featured two spectacular fusions – between Bessekou Kouyate with Hamid El Kasri on the closing Sunday night, and on Saturday night – in the early hours of Sunday morning, in fact, on the main stage at Moulay Hassan – bassist, band leader and Miles Davis alumni Marcus Miller with Mustapha Bakbou, forging a dense, deeply rhythmic fusion to match the pounding Atlantic ocean on one side, and the... Read more... |
theartsdesk Q&A: Chris & CoseySaturday, 21 June 2014
Chris Carter and Cosey Fanni Tutti are a living lesson in the rejuvenating power of remaining experimental in art. Their music holds its own alongside the young guns of electronica, who indeed frequently idolise them, and in person they frequently seem as excited about possibilities and open to new ideas as artists just starting out. Read more... |
theartsdesk Q&A: Guitarist Hank MarvinTuesday, 10 June 2014
Hank Marvin (b 1941) was born Brian Rankin in Newcastle. At 16 he and his school friend, fellow guitarist Bruce Welch, headed for London to seek their fortune as musicians. They quickly found work at the 2i’s Coffee Bar in Soho, a seminal British rock’n’roll haunt. The pair were soon hired as Cliff Richard’s backing group, initially known as The Drifters and, eventually, as The Shadows. Read more... |
10 Questions for Howling Bells' Juanita SteinMonday, 26 May 2014
Howling Bells have come a long way in the 10 years since they settled on a name and direction for their musical project, both physically - the four-piece uprooted themselves from Sydney, Australia to their adopted hometown of London to record and promote their self-titled debut album - and philosophically. Read more... |
Pages
latest in today
CVC, Concorde 2, Brighton review - they have the songs and t...
The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....
Hallé, Wong, Bridgewater Hall review - meeting a musical com...
Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...
Extract: Pariah Genius by Iain Sinclair
Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...
Nezouh review - seeking magic in a war
The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...
Album: Dua Lipa - Radical Optimism
This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...
Laughing Boy, Jermyn Street Theatre review - impassioned agi...
On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...
Guildhall School Gold Medal 2024, Barbican review - quirky-w...
While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...
Album: Sia - Reasonable Woman
Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...
Minority Report, Lyric Hammersmith Theatre review - ill-judg...
Towards the end of David Haig’s new adaptation of Philip...
Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...