fri 03/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

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Only Murders in the Building, Disney+ review - this comedy crime drama is a class act

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Enemy of the People, Channel 4 review - murder and corruption in the age of digital media

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Wolf, BBC One review - a load of old...

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Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

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Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

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World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

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Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

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Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

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Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

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Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

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Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

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Turn of the Tide, Netflix review - cocaine madness comes to the Azores

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No Hard Feelings review - nothing about this queasy comedy feels quite right

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Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

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Chevalier review - a less than extraordinary film about an extraordinary man

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latest in today

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall review - meeting a musical com...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...

Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...

It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...