tue 07/05/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Equus, Theatre Royal Stratford East review - thrilling physicality

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Superhoe, Royal Court review - smart, sassy, and full of feeling

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The Unreturning, Theatre Royal Stratford East review - hymn to home

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Approaching Empty, Kiln Theatre review - more minicab than Uber

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The Convert, Young Vic review - Africa's electric cry for justice

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The Cane, Royal Court review - hey teacher, leave them kids alone

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Hole, Royal Court review - anger is not quite enough

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The Hoes, Hampstead Theatre review - sex and drink and grime

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White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High Road

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ear for eye, Royal Court review - powerful and passionate anti-racism

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A Very Very Very Dark Matter, Bridge Theatre review - black comedy falls flat

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Stories, National Theatre review - comic conception capers

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I'm Not Running, National Theatre review - puzzling political drama

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The Sweet Science of Bruising, Southwark Playhouse review - boxing clever

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Pack of Lies, Menier Chocolate Factory review - suburban spy story

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

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Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...

Album: Pokey LaFarge - Rhumba Country

Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...

Love Lies Bleeding review - a pumped-up neo-noir

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....