sat 18/05/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Absolute Hell, National Theatre review - high gloss show saves over-rated classic

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The Prudes, Royal Court review - hilarious but frustrating sex show

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Instructions for Correct Assembly, Royal Court review - Jane Horrocks in Middle England 'Westworld'

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Pressure, Park Theatre review - David Haig terrific in his own drama

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Black Men Walking, Royal Court review - inspiring and exhilarating

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The Great Wave, National Theatre review - moving epic of global loss

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Humble Boy, Orange Tree Theatre review - love, death and science in Middle England

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The Best Man, Playhouse Theatre review - Gore Vidal’s plodding presidential drama

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Frozen, Haymarket Theatre review - star cast explores the reality of evil

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Angry, Southwark Playhouse review – wondrously roaring Ridleyland

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Girls & Boys, Royal Court review - Carey Mulligan is stunningly brilliant

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The Divide, Old Vic review - Alan Ayckbourn’s overblown dystopia

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Gundog, Royal Court review - tedious and inconsequential

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Paines Plough Roundabout, Orange Tree Theatre review - too brief to really rock

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The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story

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The Birthday Party, Harold Pinter Theatre review - starry cast create a stunning masterpiece

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latest in today

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Album: Billie Eilish - Hit Me Hard and Soft

So Billie Eilish’s new album has had its worldwide midnight release,...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...