alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
I.S.S. review - sci-fi with a sting in the tail
"Earthrise", the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our fragile...
Album: St Vincent - All Born Screaming
The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the...
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...
With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...
The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...
That They May Face The Rising Sun review - lyrical adaptatio...
In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...
Album: Pet Shop Boys - Nonetheless
This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...
Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...
Stephen review - a breathtakingly good first feature by a mu...
Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...
Album: Mdou Moctar - Funeral for Justice
Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...
Blue Lights Series 2, BBC One review - still our best cop sh...
The first season of Blue Nights was so close to ...