sat 04/05/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessible

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Oscars 2020: a 'Parasite' love-in caps a night of firsts

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Albion, Almeida Theatre review - more rewarding and resonant than ever

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Plus One review - charm, yes, but irritation too

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The Sunset Limited, Boulevard Theatre review - all talk, no theatre

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You Stupid Darkness!, Southwark Playhouse review - an intriguing muddle

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Best of 2019: Theatre

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Curtains, Wyndham's Theatre review - unexpectedly giddy fun

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Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned mess

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Ordinary Love review - small but (almost) perfectly formed

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The Boy Friend, Menier Chocolate Factory review - fun but featherweight

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The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

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White Christmas, Dominion Theatre review - breezy but bland

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Harriet review - potentially stirring biopic proves a slog

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The Antipodes, National Theatre review - mysterious and gently momentous

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Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

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Pages

latest in today

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...