fri 26/04/2024

Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Beethoven Weekender, Barbican review - genius at work and play

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Kanneh-Mason, LMP, Martín, Fairfield Halls review – modest mastery on show

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Requiem for Hieronymus Bosch, BBCSO, Bychkov, Barbican review – fire and brimstone on a flat canvas

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ECO, Zacharias, Fairfield Halls Croydon review - green-fingered Haydn

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Fry, AAM, Egarr, Barbican review – revival and revolution

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Prom 68: Goerke, Gould, RPO, Albrecht review - the art of transition

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Prom 18: Andsnes, Mahnke, Skelton, BBCSO, Gardner review – all passion spent

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Prom 13: Des canyons aux étoiles..., BBCSO, Oramo review – cursory contemplations of earth and sky

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Vic Marks: Original Spin review - trouble in Taunton

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LSO, Guildhall School, Rattle, Barbican review - irresistible momentum

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Donnerstag aus Licht, Pascal, RFH review – indulgent genius at work

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La Damnation de Faust, Glyndebourne review – bleak and compelling makeover

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LSO, Rattle, Barbican review – a brace of souped-up symphonies

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Bach St John Passion, OAE, Rattle, RFH review – earnest devotions

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Biss, Philharmonia, Boyd, RFH review – compulsive life-force

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Così fan tutte, Royal Opera review - fine singing and elegant deceits

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latest in today

I.S.S. review - sci-fi with a sting in the tail

Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our...

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the multi...

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...