sat 27/04/2024

DVD/Blu-ray: Dance Craze | reviews, news & interviews

DVD/Blu-ray: Dance Craze

DVD/Blu-ray: Dance Craze

Sparkling restoration of a 1981 concert film featuring the era's 2-Tone bands

Pauline Black giving it her all as the lead vocalist of The Selecter

"We’re not just a dance band, we’ve got things to say.” Pauline Black, lead singer with The Selecter, succinctly pins down what made the era of 2-Tone Records so important to the British music scene at the end of the 1970s.

A consortium of bands reworked Jamaican ska, calypso and reggae beats and imbued them with punk energy and their own socially conscious lyrics. In an era when the National Front stirred up racial hatred, the 2-Tone philosophy was all about mixing up young people with a multicultural agenda – two-tone in every way. And as well as black and white musicians up on stage together, there were powerful women performers among the skanking men, which signalled a revolutionary moment in the UK music industry. Watching the seven female musicians who made up The Bodysnatchers belt out Easy Life on stage, with no need for the hypersexualised posing that women artists seem obliged to deliver today, was a revelatory flash back. These rude girls, led by Rhoda Dakar, owned their right to perform with the same joyful authority as their male counterparts. 

The concert film Dance Craze is a high-energy record of a series of concerts performed from Portsmouth to London and from Coventry to Liverpool, as well as in the US. It was filmed in 1980 and released in cinemas for fans of The Specials, Madness, Bad Manners, The Beat and The Bodysnatchers.

Shot on Super 35 with Steadycam allowing total mobility, it enables us to experience the concerts from the stage. We are up there with the performers rather than watching them from the perspective of static cameras safely anchored in the stalls. 

Dance CrazeIt was thought lost for decades, but a 70mm print from 1981 belonging to cinematographer Joe Dunton has been given the 4K restoration treatment by the BFI and Chrysalis Records.

Among the Blu-ray extras is a neat little short that demonstrates what the battered old print looked like before restoration – the miracles worked by colour correction and painstaking digital grading. The sound has also been given a major polishing and the overall result is a visual and aural treat for those of us who remember the original gigs and treasure the 45s, mine now dusty and scratched but still bearing the secret messages of Porky's Prime Cuts. The deluxe edition of Dance Craze comes complete with a 27-track film soundtrack with different mixes for the superfans.

Director Joe Massot, an American living in the UK, had part-directed a Led Zeppelin concert film and had worked with George Harrison, but it was his son’s passion for the 2-Tone bands that led him to film the series of concerts.

Massot intercuts the bands’ live performances with nuggets of archaic 1950s newsreels, complete with cut glass-accented observations about British pop music and dance crazes. It’s an ingenious way to break up the documentary and set the 2-Tone bands in a historical framework.

The layers of archival treats on this DVD/Blu-ray release include a BBC Arena that sent NME "cub reporter" Adrian Thrills to the chaotic offices of the record label in Coventry, where Jerry Dammers, the founder of The Specials, and the rest of the band were in fine form.

The 2-Tone philosophy was all about mixing up young people with a multicultural agenda

rating

Editor Rating: 
5
Average: 5 (1 vote)

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I was lucky enough to catch the 2-tone/ska revival as a 15yo lad from Belfast. I saw Madness play their first gig here, supported by the GoGos, if I remember correctly. I missed the Selecter play. That gig was infiltrated by NF skinheads, and resulted in a mini riot and someone getting knifed. So maybe I was lucky. But best of all, I not only got to see The Specials and the Beat play a charity double-header, but got backstage for autographs afterwards. They were great times. And Dance Craze captured them brilliantly. Up till now, I had only ever seen it on VHS, probably a 3rd or 4th generation copy. The picture quality wasn't good. Very dark, like all the bands were playing without stage lights. And the sound quality was atrocious. So when the 4K, Dolby Atmos restored version was released a couple of weeks ago, I made sure to see it on the big screen. The difference in quality was astounding. Now it was like being onstage with the bands, rather than watching them through wraparound shades. And the sound was perfect, if a bit too low. Everyone was singing and clapping along. And the, sadly, late Terry Hall got a magnificent round of applause at the end. I bought the new bluray/dvd set, and the three disc lp set featuring all the songs featured in the movie. And I'll be listening to them with the sound up LOUD!

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