CD: Iris DeMent - The Trackless Woods

Russian poetry Southern country style

share this article

Iris DeMent's versions of poems by Anna Akhmatova

Iris DeMent’s settings of poems by the great 20th century poet Anna Akhmatova are as original as they are courageous: it's so easy to fall short of the genius displayed by the Russian mistress of the lyric verse. This is a work of love and devotion – prompted in part by DeMent’s adoption, along with her partner the equally original and talented Greg Brown, of a girl from the former Soviet Union.

There is a kinship between the singer from the American South , raised in the Pentecostal church, and the tortured soul of Akhmatova, who lived through Lenin and Stalin’s terror, refused to go into exile, and maintained a knife-edge survival course while never giving up her dedication to lyric poetry.

Iris DeMent set the bar as high as it goes, and has done Akhmatova more than proud

Joseph Brodsky, who knew Akhmatova, described her as “the keening muse”, who wrote “with a note of controlled terror”:  just right then for Iris DeMent, whose instantly recognizable voice is characterized by a frayed tone of spiritual pain, its edge torn by the sound of loss and grief. She comes close to being mannered, rather like those French chanteuses, Damia, Fréhel and Edith Piaf, but the authenticity of the emotion displayed keeps things under control, with a reserve that underscores the flow of intimate expression.

Recording in her living-room, DeMent is joined by a perfectly chosen group of immensely inspired musicians who know just when and how to accompany her gospel-tinged piano and add to the sweet melancholy which colours the melodies as well as the lyrics: delicate swathes of steel guitar from Jon Graboff, the mysterious filigree sounds of Richard Bennett’s “guitarphone”, delicate 12-string contributions from Leo Kottke, and a cavernous bass backing-vocal from Greg Brown on “Not With Deserters”, one of the standout tracks, Akhmatova’s hard remonstrance of those who chose exile rather than sticking it out on the soil of Mother Russia.

It’s not often that a top country voice sings lyrics by one of the 20th century’s greatest poets: Iris DeMent set the bar as high as it goes, and has done Akhmatova more than proud.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
There is a kinship between the singer from the Southern USA, raised in the Pentecostal church, and the tortured soul of Akhmatova

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction