tue 21/05/2024

tv

John Barrowman's Dallas, Channel 5

Veronica Lee

John Barrowman's Dallas was a shameless ad for Channel 5's upcoming new series, an updated retread of the American soap opera, but an enjoyable pointer nonetheless to what pleasures await us - the amuse-bouche, if you will, to the meaty main course starting next week.

Read more...

Accused, Series Two, BBC One

Mark Sanderson

Jimmy McGovern’s one-man mission to boost the quota of Scousers seen on the small screen continues in “Stephen’s Story” – the latest bout of button-pushing misery otherwise known as Accused. Seventeen-year-old Stephen Cartwright’s beloved Irish mother is bedridden but this doesn’t stop him table-ending his girlfriend. McGovern and co-writer Danny Brocklehurst thus immediately raise the twin pillars of drama: death and sex.

Read more...

Murder, BBC Two

Kieron Tyler

“I have done stuff,” says Stefan. “But that doesn’t mean I’ve done this." He has been arrested driving the car of a woman killed a short time earlier. Although an instant suspect, it’s soon clear his story and that of the victim’s sister don’t tally. Murder wasn’t a whodunit or a procedural, but a point-of-view rundown of the aftermath of murder. It was also grim, unflinching and memorable.

Read more...

Parade's End, BBC Two

Fisun Güner

Television schedules seem not to matter much any more, since we can now watch on repeat more or less any time we choose. But it still seems strange that the BBC are airing their new five-part period drama, which is part-funded by the HBO network to the tune of £12 million, on a Friday evening in the middle of August – even though it’s turned out to be ideal weather for staying in.

Read more...

Our War: Into the Hornet's Nest, BBC Three

Mark Sanderson

It is a Hollywood truism that any film that begins with amateur footage of happy, smiling people ends in tears. Our War was no exception: fit young men messed about in the sun and somersaulted into the Med. However, their R&R was soon over and our boys were back in Afghanistan. As one member of Arnhem Company, 2nd battalion Duke of Lancaster’s Regiment, so articulately put it: “I wouldn’t come here on fucking holiday.”

Read more...

The Last Weekend, ITV1

Adam Sweeting

Although you probably wouldn't want to cast Rupert Penry-Jones as Falstaff or Arthur Daley, point him in the direction of a privileged and successful London barrister and you can't miss. In this three-part adaptation of Blake Morrison's novel, Penry-Jones is instantly in his element as Ollie, metropolitan legal eagle and partner of the glamorous Daisy (Genevieve O'Reilly), a professional head-hunter.

Read more...

The Best of Men, BBC Two

Mark Sanderson

Lucy Gannon is the doyenne of drama-lite. Anyone who has seen Bramwell or Soldier, Soldier or Peak Practice will know her scripts, no matter how much suffering the characters undergo, will leave the viewer feeling better. She is in the reassurance game. The world is full of bad things and bad men but, generally, goodness wins out. All’s well that ends well.

Read more...

Russell Brand: From Addiction to Recovery, BBC Three

howard Male

Because Brand has become something of a brand – the hair, the clothes, the pantomime gait, the post-Carry On banter – he can be hard to take seriously. Nevertheless, I’ve been an admirer since his jaw-droppingly risqué appearances on Big Brother’s Big Mouth in the mid-Noughties. It was obvious that this man loved the English language and had a ribald wit that wasn’t going to be contained by Big Brother’s sister show for long.

Read more...

Person of Interest, Channel 5

Adam Sweeting

Created by Jonathan Nolan (brother of film director Christopher) and exec-produced by the workaholic JJ Abrams, Person of Interest seeks to accomplish the counter-intuitive feat of finding something to celebrate in our surveillance culture.

Read more...

Ruth Rendell's Thirteen Steps Down, ITV1

Mark Sanderson

The red and black opening titles, in which a creepy house looms large, immediately tells the viewer we are in Hitchcock territory. However, Thirteen Steps Down, knowingly adapted for the small screen in two parts by Adrian Hodges, is based on Ruth Rendell’s 2005 novel of the same name. Like Hitchcock, Rendell knows there is laughter in slaughter.

Read more...

Pages

 

latest in today

theartsdesk Q&A: Eddie Marsan and the American Revolutio...

He’s not the kind of actor who has paparazzi following him...

DVD/Blu-ray: Billy Connolly - Big Banana Feet

The most striking things about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not...

The Great Escape Festival 2024, Brighton review - 12 hours o...

If the weather’s good TGE Beach is a grand start to a day. As it sounds, it’s a purpose-built seafront space to the west of central...

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Die Zauberflöte, Glyndebourne review - cornucopia of visual...

Five years after it first clattered onto the ...

Hough, Hallé, Elder, Bridgewater Hall, Manchester review - a...

It’s probably a bit early to be getting misty-eyed about the approaching end of Sir Mark Elder’s time as music director of the Hallé, but the...

Clinton Baptiste, Touring review - spoof clairvoyant on grea...

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...