sat 04/05/2024

Rachel Halliburton

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Articles By Rachel Halliburton

Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistry

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Henry V, Shakespeare's Globe review - anatomy of a violent, murky world of leadership

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El Gran Teatro del Mundo, St John's Smith Square review - a diverting tour of an unusual musical form

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An Anatomy of Melancholy, Barbican Pit review - stunning journey into an Elizabethan heart of darkness

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Noisenight10, Roberts Balanas, Omeara Club review - virtuosic brilliance with a wave to the wild side

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The Boy with Two Hearts, National Theatre review - poignant yet humorous story of family forced to flee Afghanistan

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Igor Levit, Wigmore Hall review - titanic talent shows his lighter side

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The Snail House, Hampstead Theatre - perplexing new drama that lacks bite

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Prom 61, Cabell, Chineke! Voices and Orchestra, Edusei review - a thrilling, fiercely rational Beethoven 9

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I, Joan, Shakespeare's Globe review - a non-binary retelling that's as ebullient as it's irreverent

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The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic

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Prom 9, Finch, BBC National Orchestra of Wales, Matiakh review - thrilling, conceptually fascinating evening

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Prom 7, Dido and Aeneas, La Nuova Musica review - bold and original from the start

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Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games

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The Making of Pinocchio, LIFT 2022, Battersea Arts Centre review - witty, ingenious exploration of gender transition

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King Lear, Shakespeare's Globe review - eviscerates emotionally while illuminating a society rotten with lies

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Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...