sat 04/05/2024

Rachel Halliburton

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Articles By Rachel Halliburton

Girl From The North Country, Gielgud Theatre review – poignant collaboration between Conor McPherson and Bob Dylan

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Swive, Shakespeare's Globe review – pacy, dagger-sharp rewriting of history

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The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story

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The Lion, The Witch and The Wardrobe, Bridge Theatre review – spellbinding narrative of parallel worlds

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Stray Dogs, Park Theatre review – no fire in this historic encounter

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Death of a Salesman, Piccadilly Theatre review - galvanising reinvention of Arthur Miller's classic

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As You Like It, Barbican review – uneven comedy lacks bite

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Translations, National Theatre review - stunning revival of poignant tragicomedy

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Either, Hampstead Theatre review - funny, ingenious investigation of gender and love

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The Permanent Way, The Vaults review – devastating resurrection of play tackling corporate greed

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A Very Expensive Poison, Old Vic review – bold evocation of a post-truth world

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The Secret River, National Theatre review - turbulent tale of Australia's past

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Prince Albert: A Victorian Hero Revealed, Channel 4 review - dramatic documentary filled with intelligent detail

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Whitewash, Soho Theatre review - a wild-at-heart linguistic joy-ride

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A Midsummer Night's Dream, Shakespeare's Globe – blazing-coloured, kick-ass carnival

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Dark Sublime, Trafalgar Studios review – sci-fi tribute is less rocket, more Reliant Robin

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Brancusi Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...