sat 04/05/2024

Rachel Halliburton

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Articles By Rachel Halliburton

A Midsummer Night's Dream, Bridge Theatre review – gender-juggling romp

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Our Town, Regent's Park Open Air Theatre review – small-town tale that raises profound existential questions

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The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollars

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The Firm, Hampstead Theatre review - ferociously funny exploration of gang culture

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The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdism

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After Edward, Sam Wanamaker Playhouse review - delightfully risky

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Fiddler on the Roof, Playhouse Theatre, review – energetic production whips up an emotional storm

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Richard II, Sam Wanamaker Theatre review - electrifying mixed-race all-female production

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The Twilight Zone, Ambassadors Theatre review – retro wit for our new space age

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Berberian Sound Studio, Donmar Warehouse review – improves the original

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The Cherry Orchard, Pushkin Drama Theatre, Barbican review - stunning absurdist Chekhov

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Counting Sheep, The Vaults review - visceral recreation of an uprising

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Imagine... James Graham, BBC One review - deft analysis of a working life

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Rosenbaum's Rescue, Park Theatre review - curiously solid Jewish drama

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The Tragedy of King Richard II, Almeida Theatre review - Simon Russell Beale leads revelatory interpretation

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The Box of Delights, Wilton's Music Hall review - captivating adaptation of John Masefield's darkly thrilling novel

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Brancusi, Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...