sat 04/05/2024

book reviews and features

Polly Barton: Fifty Sounds review - what is lost in translation

India Lewis

Fifty Sounds is translator Polly Barton’s first novel, conceived as part of Fitzcarraldo’s annual...

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Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meet

Jessica Payn

“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (...

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Will Page: Tarzan Economics - a 'rockonomist' writes

Sebastian Scotney

The idea behind Tarzan Economics is, in its essence, that “if the vine we are holding onto is withering, we can have confidence to reach out for a new one.” This thesis expounded in Will...

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Extract: TV by Susan Bordo

theartsdesk

"Television and I grew up together." As a baby boomer born in 1947, Susan Bordo is roughly the same age as our beloved gogglebox, which began life as a broad box with a ten-inch screen, chunky and...

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theartsdesk Q&A: Author Sam Mills on the phenomenon of the 'chauvo-feminist'

CP Hunter

Sam Mills’s writing includes the wondrously weird novel The Quiddity of Will Self, the semi-memoir Fragments of My Father, and Chauvo-Feminism (The Indigo Press), which...

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Charles Saumarez Smith: The Art Museum In Modern Times review – the story of modern architecture

Daniel Baksi

“This book is a journey of historical discovery, set out sequentially in order to convey a sense of what has changed over time.” Add to this sentence, the title of the work from which it is taken...

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Craig Taylor: New Yorkers - A City and Its People in Our Time review

Liz Thomson

For the last couple of years, until we were so rudely interrupted, I’d been spending chunks of the year in New York, a city I’ve come to know...

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Prix Pictet: Confinement review - a year in photographs

Florence Hallett

Sustainability and the environment are watchwords for the Prix Pictet, the international...

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Alan Warner: Kitchenly 434 review – dreams and delusions in the backwaters of fame

Boyd Tonkin

“They think it’s all drugs and sex up here, Mrs H.” “Bless me.” The reality, at Kitchenly Mill Race, runs more to a nice pot of Tetley’s and a plate of Gypsy Creams. But “people are funny around...

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Edward St Aubyn: Double Blind review - constructing 'cognition literature'

Charlie Stone

If it weren’t for the warning on the blurb, the first chapter of Double Blind would have you wondering whether you’d ordered something from the...

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latest in today

Brancusi Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...

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