thu 16/05/2024

tv

The Dealership, Channel 4

Adam Sweeting

Buying a used car is not for the squeamish at the best of times, but the notion of buying one from something called the Essex Car Company freezes the blood. Yet the idea of making a slice-of-life, fly on the wall, reality-tv-style doc about the aforesaid jalopy-shifting outfit radiates an unmistakeable allure.

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Caligula with Mary Beard, BBC Two

Jasper Rees

Loving the title. Caligula with Mary Beard. Professor Beard has been mentioned adjacently to some rum types of late. Internet trolls. AA Gill. They pale into nothingness, do they not, next to the emperor who mistook his horse for a consul. And his sister for a lover. You've heard the rumours. Caligula was huge in the Seventies, when such garishness blended with the wallpaper. Hence dyed blond crossdressing John Hurt being well weird in I, Claudius.

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The Returned, Series Finale, Channel 4

Kieron Tyler

It could so easily have been The Walking Dead, where the living endlessly battle an ever-increasing tide of returnees from the beyond. The resurrected in the contemplative Returned weren’t zombies, but actual living people with a desire to pick up where they left off and reintegrate themselves into day-to-day life. Unfortunately for them, and for those they became reacquainted with, it couldn’t go smoothly.

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The Mill, Channel 4

Adam Sweeting

Does it always have to be so flipping grim up north? In Channel 4's new four-parter, the Mill in question is at Quarry Bank in Cheshire. The date: 1833, during the Industrial Revolution. Villains du jour: the Greg family, industrialists and merciless exploiters of child labour.

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Notes from the Inside with James Rhodes, Channel 4

graham Rickson

Most of us could compile soundtracks to our lives. We’d probably save our favourite songs and pieces for the worst bits. Pianist James Rhodes was sectioned in his twenties and maintains that a visitor who smuggled in an iPod stuffed with classical music helped to save his life. He’s refreshingly candid though, admitting slyly that “listening to a piece of Bach isn’t going to fix everything".

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Imagine... Woody Allen: A Documentary, BBC One

Adam Sweeting

You might wonder if anybody really deserves three and a half hours of TV biography, but after the first half of Robert Weide's immense survey of Woody Allen, the nebbish messiah, I was pawing the carpet in anticipation of part two. Documentaries don't, as a rule, leave you in seizures of mirth, but the judicious selections from Allen's bottomless catalogue carried a sealed-in guarantee of hilarity despite being snatched from their original context.

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Burton and Taylor, BBC Four

Jasper Rees

They’ve served BBC Four well, these dramas about the private lives of the stars. From writers to comics, presenters to chefs, the secret traumas of yesteryear’s celebs have entertained and enlightened. And, if we’re honest, embellished. Now that the channel has given up making drama, viewers will have to get their scripted gossip from alternative sources. In Burton and Taylor, the run concluded by peeping through the curtain at two of the most public private lives of all.

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The Secret Life of Uri Geller, BBC Two

Fisun Güner

Uri Geller was famous once. Superstar, rock’n’roll famous, and though this is now hard to believe, kind of cool. He hung out with John Lennon, who gave him a thing that resembles a gold-plated egg and that was, Lennon told him, a gift from a friendly alien. What’s more, he was the darling of the chat show circuit – no, not those crank channels where psychic readings are available when you phone in with your credit card details, but ones hosted by David Dimbleby.

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Family Tree, BBC Two

Veronica Lee

Christopher Guest and his group of players have been responsible for some of the funniest, driest comedy films of the past 30 years, including Waiting For Guffman, Best in Show, A Mighty Wind and, of course, his masterpiece This Is Spinal Tap, in which he played the tight-trousered guitarist Nigel Tufnel. Now he's directed and co-created (with Jim Piddock) Family Tree, a US-British sitcom first shown on HBO in America.

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Run, Channel 4

Jasper Rees

Another week, another breakout performance from Olivia Colman. That chirpy face and sprite smile encourages a nation of fans to follow her into all manner of beastly nooks and dread crannies in the hope that somehow with Colman for company it’ll be all right. Increasingly, it isn’t. After Tyrannosaur (murders husband) and Accused (son murdered) and Broadchurch (investigates child murder), we have Run (sons murder).

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