thu 10/07/2025

tv

The Spy Who Went Into the Cold, BBC Four

Jasper Rees

How much time does anyone want to spend in the company of Kim Philby? BBC Four’s Storyville allotted him 75 minutes, which isn’t much to tell the story of a third man with two paymasters and four wives. And yet this portrait somehow contrived to outstay its welcome. This is not to come over all huffy Heffer about betrayal. It’s just that hunting for the real Philby is like wandering around a maze uncertain if you’re looking for the entrance or the exit.

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Borgen, Series 3, BBC Four

Adam Sweeting

Sidse Babett Knudsen, alias the absurdly photogenic Danish Statsminister Birgitte Nyborg, provoked gasps at the Nordicana festival in London last June when she revealed that she was no longer Prime Minister in series three. And indeed, as the curtain rose on episode one, we could see that she was not.

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The Science of Doctor Who, BBC Two

Lisa-Marie Ferla

Today’s special preview of the impending 50th anniversary episode of Doctor Who finally filled in some of what happened in the gap between Paul McGann’s 1996 made-for-TV movie and the show’s 2005 televisual regeneration (Big Finish audios notwithstanding, obviously). So it was appropriate that today’s other Who-related event, a one-off tie-in documentary fronted by Professor Brian Cox, began by doing its best to bridge the gap between its presenter’s time...

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Curtain: Poirot's Last Case, ITV

Adam Sweeting

Inevitably, an aura of fin-de-siècle gloom hung heavily over this final Poirot. So daunting was the prospect of terminating his 25-year career-defining stint as Belgium's finest (albeit imaginary) export that David Suchet insisted on shooting the last one before the others in the concluding series.

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Strange Days - Cold War Britain, BBC Two

Tom Birchenough

The images really do say it all in Strange Days – Cold War Britain. It’s a style of documentary making which puts archive material in first place, ahead even of presenter Dominic Sandbrook, who’s the sole screen presence here (no interviews, no talking heads). We can only wonder exactly how this challenging mêlée of material came together, but can be sure that archive producer Stuart Robertson had every bit as much input as director Rebecca Templar.

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Lindsey Buckingham Talks Music, Sky Arts One

Russ Coffey

Sometimes TV doesn’t need to be “challenging” or “groundbreaking” to be thoroughly worthwhile. The first episode of Sky Arts' new “…talks music” series saw the familar format of a live, seated interview applied to one of pop music’s highest achievers: Lindsey Buckingham of Fleetwood Mac. TV producer Malcolm Gerrie led proceedings in an attractive theatre in front of an audience of students. Most memorable were some blistering live demonstrations of Buckingham’s craft.

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Downton Abbey, Series 4 Finale, ITV

Jasper Rees

So, another series down and what do we know? First up, until this final episode no one had died either by contractual agreement or Fellowesian godlike decree. We’ve had a rape, an unwanted pregnancy, a near abortion, a mysterious disappearance and a spot of senile dementia. Plus not one but two uppity colonial singers have drifted upstairs.

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Dracula, Sky Living / Bates Motel, Universal

Adam Sweeting

The Dracula story has seen almost infinite permutations, though none of them ever manages to improve on Bram Stoker's still-haunting original. This new Anglo-American production keeps Stoker's late 19th-century setting, but has transformed the befanged Count into a kind of supernatural corporate raider stalking the sneering, avaricious fatcats of the City of London.  

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Timeshift: When Coal Was King, BBC Four

Jasper Rees

Energy is this season’s dirty word. The big six fix prices from their ivory towers beyond the national borders, and wouldn’t dream of turning up in person to take a fearful wigging from a Commons Select Committee. In the old days, it was all a bit different. Energy came overwhelming from coal, mined domestically by a huge workforce.

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Live from the National Theatre: 50 Years on Stage, BBC Two

Jasper Rees

These celebrations of our yesterdays can easily end up all camembert and wind. But while film people and television people will generally cock such things up, we do still have the odd cultural institution which can be relied upon to throw the right sort of party. For the National Theatre's golden jubilee, therefore, the stops were jolly well pulled out and the invitations damn well accepted from the actors who, striplings at the Old Vic in the Sixties, are now our own Oliviers and Ashcrofts...

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