You Hurt My Feelings review - Manhattanite comedy with a characterful cast

Popped straight out to the streamers, Nicole Holofcener’s new film has apparently been labelled as insufficiently marketable for a theatrical release against the juggernaut of Barbenheimer. Surely by now a movie that doesn't feature either Ryan Gosling or Florence Pugh’s bare chests could be allowed in the cinema?

Joy Ride review - pioneering horniness

This Seth Rogen-produced, Family Guy writers-co-scripted gross-out comedy with four Chinese-American women fully lives up and down to its description. With Crazy Rich Asians co-writer Adele Lim as debuting director, it’s also another demographically pioneering work.

Paris Memories review - recalling the terror, bit by bit

People have been making films about the unreliability of memory since, oh, I can’t remember. Often it’s a cue for a genre escapade, but here French filmmaker Alice Winocour gives us a social drama, telling the fictional story of a survivor of the terrorist attacks in Paris in November 2015, which killed 130.

The Beanie Bubble review - an under-stuffed, misshapen product saga

Another week, another toy story, in the wake of Barbie. And another origin-of-hit-product story, too, after Air. The Beanie Bubble, though, has none of the surprisingly gripping appeal of Nike’s rise and rise via a single trainer design, nor the (sporadic) wit and bounce of Greta Gerwig’s mega-hit. It’s all corporate idiocy, shabby dealings, and misogyny. And failure is nowhere near as fascinating as success.

Everybody Loves Jeanne review - charmingly weird romantic comedy

Céline Devaux, known for her award-winning short films, wrote, directed and drew the animations for her charming, funny debut feature, which takes the concept of the critical inner voice and runs with it.

Blanche Gardin is brilliant as Jeanne, whose revolutionary invention, a structure that traps and removes microplastics from the ocean - it's called Nausicaa, which doesn't bode well - ends up as a dismal failure at its launch.

Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

With a track record that includes Memento, Dunkirk, Insomnia and Inception, Christopher Nolan is not a filmmaker who could be accused of a lack of ambition, but even by his standards Oppenheimer is a staggering achievement.