mon 11/12/2023

humour

Please Don't Destroy: Treasure of Foggy Mountain review - Dude, where's our map?

Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch comedy trio that’s hit it big with viral videos and on the long-running NBC series Saturday Night Live. (So long...

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£1 Thursdays, Finborough Theatre review - dazzling new play is as funny and smart as its two heroines

It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places...

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Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teeth

In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point...

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Passing, Park Theatre review - where do we go from here?

“It’s nothing like Christmas,” Rachel (Amy-Leigh Hickman) hisses at her brother David (Kishore Walker). She’s trying to wrangle her family into their first ever Diwali celebration, but everything’s going wrong. Her dad Yash (Bhasker Patel) is...

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Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and that

A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact...

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Trueman and the Arsonists, Roundhouse Studio review - new warnings in old lessons

A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house. He’s not selling anything, so he can’t be an arsonist can he? His friend turns up and she’s pretty upfront about...

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Manic Street Creature, Southwark Playhouse review - songs in the key of a traumatised life

There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling,...

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The Flea, The Yard Theatre review - biting satire fails to sting

A flea bites a rat which spooks a horse which kicks a man and… an empire falls?James Fritz has won writing awards already in his developing career, but he has set himself quite the challenge to weave a thread that can bear that narrative weight. Two...

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Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertains

I know, I was there. Well, not in Edinburgh in 1985, but in Liverpool in 1981, and the pull of London and the push from home, was just as strong for me back then as it is for Eck in John McKay’s comedy Dead Dad Dog. Back in London for the...

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Imposter 22, Royal Court Theatre review - ace on representation, less so on structure

The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah...

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Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly danger

Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension...

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Untitled F*ck M*ss S**gon Play, Young Vic review - committed and important play let down by heavy-handed writing

Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting...

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