New music
Russ Coffey
Here it is, at last: Meghan Trainor's long-anticipated third album, scheduled for last summer, but mysteriously delayed because Trainor wanted to "add more songs". Not everyone was convinced by that story – there were rumours she was really planning to quietly scrap the whole thing because of a disappointing response to the early singles. But she didn't give up, and the final product weighs in at a hefty 15 tracks.About half of them share the same R'n'B-lite flavour of the recent single, "Blink". And yet, you can't help thinking it was really the first offering, "No Excuses", that she should Read more ...
India Lewis
John Grant’s entry onto the stage was unobtrusive, appropriate for a set-up that consisted of just a grand piano and an electronic keyboard (with accompanying keyboardist). He began with similarly unadorned songs, the ballads that peppered the start and the end of his set. Despite it being a departure from his more orchestrated recorded sound, a strong hint of the space-opera remained, coaxed out by synths and allusive lyrics. His songs are deliciously naughty, a sophisticated, rich sound that is counterbalanced by swear words and a satisfying cynicism. There were times when this wasn’t Read more ...
Thomas H. Green
Doubters presume Kesha’s multi-million-selling success derives mainly from a decade ago, the time of her monster hit, “Tik Tok”? Since then, the thinking goes, after the gruelling, much-publicised sexual abuse court cases with Dr Luke, she’s more a figurehead for #MeToo, than an actual pop star. Not true. Kesha’s last album, her third, 2017’s Rainbow, was a chart-topper in the States and a Top Five hit here. Now she follows it with an even more ebullient outing. Given her usual bawdy, potty-mouthed, exuberance, that’s saying something.Rainbow was quirky, eccentric, angry in places at what she Read more ...
Liz Thomson
Folk music has always thrived in times of adversity and danger and in times when (to coin a phrase) “nothing is real”. All the above apply now and folk music, its roots in the dirt of our septic isle, speaks to us eloquently as balm, warning, and call to action. As ice caps melt and seas rise, as coasts and woodland succumb to the exigencies of commerce rendering homeless their inhabitants, folk music offers a reality check in an era of corporate self-interest.Sam Lee’s name has been on everyone’s lips, in America as well as in Britain, since his 2012 recording debut with Ground of Its Own, Read more ...
Guy Oddy
Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put the wind up Middle America and everyone else for that matter, their imposing singer Corey Taylor spent an unexpected amount of time between songs on the Arena Birmingham’s stage this weekend preaching a gospel of sticking together in these trying times and of encouraging the band’s fans, the Maggots, to watch each other’s backs. In fact, he seemed particularly keen to make it clear that Slipknot are “not just dicks in masks” with loud guitars and a Read more ...
Kieron Tyler
Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017. He had joined Game Theory as their drummer and backing vocalist in 1985. The new collection Across The Barrier Of Sound: Postscript tracks the Game Theory of 1990 and 1991: a period when Ray was playing guitar and keyboards in the band. These became Game Theory’s final, under-the-radar years and, until now, have not been the subject of an official release.Gil Ray’s passing means that just half this latter-day, four-piece Game Theory is still with Read more ...
Owen Richards
When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours. No chorus was left unsung, no build-up left unclapped, and no breakdown unshimmied.The band have perfected their show of power pop performed with pinpoint precision. They create an impressive wall of sound, built on counter rhythms and jangled guitars, supported by a striking lightshow that Read more ...
Liz Thomson
Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of the George Washington Bridge, having hitchhiked across the country to reinvent himself as Bob Dylan, the sixtieth anniversary of the club where his career was launched was celebrated.Gerde’s Folk City, one of the most famous of the Greenwich Village coffeehouses on whose rickety stage innumerable careers were honed, opened its doors on West 4th and Mercer on 26 January 1960. The owner was an Italian immigrant named Mike Porco, who had opened Gerde’s Read more ...
joe.muggs
Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code, it could never be iconic like a guitar. This performance was partly inspired by that fact: as Henke explained in his preamble, he's fascinated with a time when computers were a whole lot simpler and, perhaps, cooler to look at.Looking like a funky Open University lecturer in brown suit and pointy boots, Henke explained the 1980 Commodore PET Read more ...
Lisa-Marie Ferla
The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80” opens with the artist - real name Ella O’Connor Williams - giving up on lyrics, poetry and, later, giving up on love, its rootless melody channelling the road west to Iowa where Williams went to college before building to a relentless crescendo. By the album’s closer, and title track, though, Williams has embraced poetry again: the “swimming” lyric is a reference to her being born still in the remains of the amniotic sac, the shimmering heat of the hottest day of the summer of Read more ...
Guy Oddy
Since first getting together at the fag end of the 20th century, Black Lips have largely played the role of garage rockers with a hint of country and western about them. The songs on their latest album, however, turns their schtick somewhat on its head. For Sing In A World That’s Falling Apart is the band’s most explicitly country album to date, albeit one that possesses more than a dash of garage rock swagger. This is all the more emphasised by an album cover that features the five-piece looking something like a 2020 update of the Beverly Hillbillies.Any shift in their style, however, has Read more ...
Sebastian Scotney
One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole blues/soul/ R&B spectrum, and has been a major presence on the British scene since the late Seventies. Her unvarying capacity just to step forward and deliver a strong line, clear words, and powerful emotions are an unfailing and unique aspect of the musical life of this country. Perhaps the Halls of Fame and the honours system have a bit of catching-up to do.She has done everything from taking a major role in the British blues movement at the instigation of Alexis Korner, to performing Ray Charles Read more ...