opera reviews, news and interviews
David Nice |

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad end”. In which case, the even stranger Makropulos Case is a chattery legal mystery with a transcendent end as the 337-year-old (437 in this update) protagonist decides life only has meaning within its natural span and rejects the formula she's come for.

Kerem Hasan |

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De Rocher, with his spiritual advisor Sister Helen Prejean in tow, have a devastating interaction with his mother.  A final, inconsolable goodbye before De Rocher is processed for his impending execution. 

David Nice
Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness.…
David Nice
A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences probably…
Boyd Tonkin
If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s operas have often…

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Robert Beale
Love and separation, ecstasy and heartbreak, in masterfully updated Puccini
David Nice
Britten’s delight was never made for the Coliseum, but it works on its first outing there
David Nice
Hopes for Niamh O’Sullivan only partly fulfilled, though much good singing throughout
alexandra.coghlan
Gods, mortals and monsters do battle in Handel's charming drama
Robert Beale
Dance and signing complement outstanding singing in a story of virtue rewarded
mark.kidel
A near-perfect night at the opera
Boyd Tonkin
Appealing performances cut through hyperactive stagecraft
David Nice
Jakub Hrůša’s multicoloured Puccini last night found a soprano to match
stephen.walsh
The old warhorse made special by the basics
Boyd Tonkin
Strong Proms transfer for a robust and affecting show
Boyd Tonkin
A Sister to remember blesses Puccini's convent tragedy
Simon Thompson
Eye-popping acrobatics don’t always assist in Gluck’s quest for operatic truth
David Nice
Cast, orchestra and production give Jennifer Walshe’s bold collage their all
stephen.walsh
Janáček superbly done through or in spite of the symbolism
Robert Beale
Allison Cook stands out in a fascinating integrated double bill of Bernstein and Poulenc
Robert Beale
Happy surprises and a convincing interpretation of Puccini for today
Robert Beale
Music comes first in very 19th century, very Romantic, very French operatic creation
Boyd Tonkin
A fat knight to remember, and snappy stagecraft, overcome some tedious waits
David Nice
Asmik Grigorian is vocal perfection in league with a great conductor and orchestra
David Nice
Style comes and goes in a justifiably dark treatment of Handelian myth
David Nice
Mostly glorious cast, sharp ideas, fussy conducting
Boyd Tonkin
Intimacy yields to spectacle as Beethoven's light of freedom triumphs
Robert Beale
Big doses of history and didaction are injected into 50 minutes of music theatre
stephen.walsh
Unbalanced drama with a powerful core, uninhibitedly staged

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