New music
Nick Hasted
Lady Antebellum have stayed in the mainstream country world Taylor Swift forded to full pop stardom. Beginning alongside her on Nashville’s aptly named Big Machine label, they’ve kept the genre’s knack for narrative, emotion and residual hints of authenticity alongside imposing chart power. As slide guitar, fiddle and harmonica symbolically curl around big, slick choruses, they aren’t so far from the “big hat” music which made Garth Brooks oddly parallel gangsta-rap as the sound of America at the dawn of the Nineties. Lady Antebellum offer more 21st century, feminised sensitivity, alluding to Read more ...
Lisa-Marie Ferla
Of 2019’s pop culture phenomena, the critical reappraisal of Céline Dion as an international treasure is one of the most delightful. It’s been six years since the Quebecois singer last released an English language album, a period in which she closed out 16 years of Las Vegas residencies, soundtracked both Disney and Deadpool and, most importantly, mourned her husband, René and brother, Daniel. Those losses unsurprisingly colour much of Courage, which across an expansive track listing features plenty of moments of recovery and resilience. And even, tentatively, hints at new happiness.Opening Read more ...
Thomas H. Green
Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere on the internet. Every conceivable genre is theartsdesk on Vinyl’s game so dive in and get involved!VINYL OF THE MONTHDallas Acid The Spiral Arm (All Saints)What do they put in the water in Austin, Texas? We need to dose the nation with it NOW so that millions of eyes turn upwards from the Daily Mail and look to the stars. Dallas Acid have worked Read more ...
mark.kidel
DJ Shadow, made famous in 1996 With Endtroducing…, an album made entirely of samples, and the originator of a sound that was described as "trip-hop", sometime before it was attached to various Bristol sounds, continues to express his musical curiosity and eclecticism with wide-ranging connoisseurship and passion.His new double album is divided between a series of characteristically diverse instrumentals, and collaborations with rappers and singers. The instrumentals - mini musical essays - vary in style from explorations of electronica and noise and breakbeat-driven grooves to moments Read more ...
Guy Oddy
By the time Vampire Weekend reached Birmingham on their latest UK jaunt, they had unfortunately managed to mislay their support band, the colourful Songhoy Blues. This was a great shame, as the Malians would surely have added a bit of colour to the early part of an evening that would most certainly have benefitted from a bit of light and shade. Instead, the O2 Academy was treated to an extensive recording of baroque chamber music, piped through the PA system, that felt like it would never end.However, end it thankfully did and onto the stage bounced Ezra Keonig, dressed in white trousers and Read more ...
howard.male
Last month this Western Saharan singer-songwriter stood on stage at London’s Jazz Café and turned the venue into a hallowed holy space with just her voice and the rhythm she summoned from her tabal drum. Translated from the orginal Arabic, two lines she sung were: "The only one who seeks war, is one who has never known it". These simple yet profound words come from "Cuatro Proverbios", the opening number of this, her third album. However, although Aziza sings a great deal about her poverty, her war-stricken childhood in Algerian refugee camps, and the pain of exile (she currently lives in Read more ...
Kieron Tyler
“It's Gonna Take a Miracle” just missed out on a mainstream US Top 40 placing after The Royalettes issued it as a single in June 1965. But the song had staying power. In 1971 Laura Nyro covered it, choosing it as the title track for the album she made with LaBelle. Deniece Williams’s version hit big in 1982.The song’s co-writer was Teddy Randazzo. He had arranged and produced The Royalettes’s interpretation, the first time it was issued. Their reading is as he conceived the song: the template for what followed. The other vocal group most associated with Randazzo is Little Anthony and the Read more ...
Chris Harvey
Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some. The Royal Festival Hall was predictably full to bursting, though, to see Arnalds perform as part of his mini OPIA festival, in which he took over the auditoriums and foyers of the Southbank to showcase an eclectic mix of experimental music. Melodic piano structures and looped electronica loomed large.“Opia”, from John Koenig’s compendium of made-up words, The Dictionary of Obscure Sorrows, means “the ambiguous intensity of looking Read more ...
Tim Cumming
There’s plenty going on in Ronnie Wood’s world, with Mike Figgis’ feature documentary, Somebody Up There Likes Me, a mini tour with his band The Wild Five – London, Manchester and Birmingham – and this platter, subtiled "A Live Tribute to Chuck Berry", that was recorded live last year at The Tivoli in Wimborne, Dorset. I know the venue well, dear readers, as the local flea pit of the 1960s and 1970s. Its last screening as a cinema was Led Zep’s The Song Remains the Same in 1977 (there were plenty of grebos in the Wimborne area), before its divine resurrection as a music venue, thanks to the Read more ...
Thomas H. Green
Massively successful Irish trio The Script could, loosely speaking, be called a rock band. But they aren’t really, are they? Their sixth album is an indictment of the kind of music they play. It’s packed with over-produced post-Coldplay anthem-pop featuring lyrics calibrated for a generation gnawed by social media anxiety. Listening to it is an edgeless, squeaky clean experience. The buzz, if there is one, is all sugar rush and no sharp edges. Who could have known a quarter century ago that a key genetic ancestor of 21st century “rock” would be the Benidorm-friendly Euro-cheese of Read more ...
Ellie Porter
With US number one singles and Grammys coming out of his ears, a record-breaking streak at the top for debut album This One’s For You and collaborations with country big-timers aplenty, Luke Combs is riding high. The North Carolina-born toast of Nashville (he was also inducted into the Grand Ole Opry this summer) keeps things going with second album What You See Is What You Get, a rambling, occasionally brilliant collection of drinking songs, lovelorn ballads and earnest tributes to the working man.The first five songs will already be familiar to fans – they made up The Prequel, a massive- Read more ...
mark.kidel
The joy of Afro-Beat comes from the intricate play of polyrhythms, eloquently constructed around the subtle interplay of guitars, bass, backing vocals, percussion and horns: each voice follows a distinct path, and the combination of each in a rich and complex whole is both powerfully mind-blowing and irresistibly danceable.Seun Kuti pays homage, as well he should, to the ancestral power of his father Fela, who with drummer Tony Allen and others created this extraordinary and unique sound. He does it very well: from the moment he dances onto the stage, his lithe body snaking around sensually Read more ...