Reviews
Roderic Dunnett
How delicious that Garsington Opera has turned to Offenbach. The main impetus for this cheering development, taken up by Artistic Director Douglas Boyd, is conductor David Parry, who both translates (extremely well) and wields the baton.Parry was recently legated a set of Offenbach scores gathered by the late Patric Schmid, father of Opera Rara, for a planned recording project spanning extracts from many of the French composer’s lesser-known operettas. Could this open up the prospect of numerous rarities to come? Something to equal Leonard Ingrams’ teasing out of Haydn operas, then rarer Read more ...
Sarah Kent
I agreed with some reluctance to review British Folk Art, since I anticipated an overdose of quaint charm, naive whimsy and endearing eccentricity. You know the kind of thing – fire screens embroidered with overblown flowers and paintings of fat porkers, faithful dogs or stallions galloping like rocking horses.I needn’t have worried; some naive paintings are included along with embroidery samplers and patchwork quilts, but predictable items like these are offset by a stunning array of ship’s figureheads and trade signs including a cobbler’s boot (pictured below), a locksmith’s padlock and key Read more ...
Katherine McLaughlin
Decidedly diverse in its musical offerings as ever, this year’s Field Day, which for the first time was spread over two days with the Pixies as a fitting finale, was gifted with glorious sunshine and a chipper ambience. Fresh ferocious voices breaking out and established names reaching back to their roots made for a harmonious mix of boldness and greatness.Thurston Moore’s exceptionally tight guitar skills and sparse melancholy lyrics gently weaved across the sunny afternoon breeze with the sublime sound similar to that of early Sonic Youth delivering a delightful wave of nostalgia. Meanwhile Read more ...
Adam Sweeting
Before the Vikings came to Britain there was no whaling, though coastal-dwellers would avail themselves of any beached strays by chopping them up for their meat and oil. It was the bellicose Norsemen who imported the notion of actively pursuing the creatures, which is how the pilot whale hunt became a tradition in Stornoway in the Outer Hebrides. A line of boats would drive the whales into the shallows, where they were slaughtered by the islanders.It was the shape of all manner of hideous things to come, and it wasn't easy to sit through this first part of Adam Nicolson's history of whaling Read more ...
Jasper Rees
As an appetiser to the tournament about to swamp your television, the BBC paired up one global football brand with another: Becks, meet Brazil; Brazil, meet Becks. Appropriately the encounter lasted 90 minutes, and featured long stretches in which the two tentative participants probed and prodded at each other, interleaved by occasional brief flare-ups of drama.The BBC told the story of Brazil only recently through the portal of Michael Palin. Where Palin took an avuncular stroll through the country's history, geography and culture, Beckham’s researches erred towards the slightly more skin- Read more ...
Kieron Tyler
Twelve minutes into the Icelandic film Of Horses and Men something occurs on screen which was obviously going to happen, but actually seeing it happen is astonishing. It’s something which would normally either occur off screen or be alluded to. Of Horses and Men has many such uncomfortable moments. It’s also funny, heart-warming and poignant – a one-off.Of Horses and Men is set and filmed in rural Iceland. About the residents of a valley, their loves and their symbiotic relationship with their equine companions, it draws parallels between the behaviour of horse and human. What the Read more ...
Ismene Brown
Sex farce, class comedy, crime thriller, existential tragedy, supernatural shocker - Don Giovanni is, as Jonathan Kent notes about his production in the Glyndebourne programme, a cabinet of curiosities. Mozart's music hurdles to and fro across two centuries, the baroque 18th century and the disorientating romantic depths of the 19th; the characters are either stock (Leporello the comic sidekick, Anna the wronged virgin) or so subtle that they need redefining for every staging and every time (Elvira, and the lothario Don Giovanni himself). But again and again, Mozart’s 1787 opera proves itself Read more ...
emma.simmonds
The French auteur Jean-Pierre Jeunet is best known and loved for his early work: Delicatessen, The City of Lost Children and (conveniently ignoring Alien: Resurrection) Amélie. These films introduced him as a director with a very particular, rather charming vision; they were sublime, sometimes twisted works of partial fantasy which the more recent A Very Long Engagement and Micmacs didn't quite live up to. With his latest, T.S. Spivet, Jeunet does something quite exciting: he takes the highly characterful way he sees the world and fashions it into three dimensions. It makes for a vibrant Read more ...
Hanna Weibye
“The touch is light. We like it so,” wrote Ninette de Valois in one of her later poems. You didn’t know the founder of the Royal Ballet wrote poetry? Don’t worry, you’re not missing much – except the occasional phrase which can serve as an epigraph for early English ballet. “Light touch” is one of those expressions – like “very English” – which crop up in almost all descriptions of the work of Frederick Ashton, founder choreographer to de Valois’s company, later its director, and a reserved genius who knew pomposity and po-facedness only as traits to satirise (gently, of course) in his Read more ...
Kieron Tyler
Various Artists: Too Slow to DiscoToo Slow to Disco is about the five years from 1975 onwards when men and woman alike sported billowing white shirts, had wind-swept, pouffed-up hair and sang frozen-nosed, freeze-dried songs in sensitive voices about love, love and more love. Fleetwood Mac defined the mellow, cotton-wool-shrouded sound of a California-dominated wave of singers and songwriters who weren’t going to break a sweat about anything despite being strung out on coke. The by-word was mellow.This fascinating compilation makes the case that the cocaine cowboys and lush ladies Read more ...
Aimee Cliff
When you have quite as much going on as 10-piece (in their current form) experimentalist Canadian indie band Arcade Fire do, it’s hard to know where to look. It’s a fact they’re aware of, and it seems like they even riff on it quite heavily with the overwhelming presence of the fragmented, fractured aesthetic of their latest album Reflektor at Earls Court, on the first of their two-night run. A lesser band might struggle to hold attention given the amount they’re asking their audience to engage with - and the sheer size of Earls Court, which felt like it could almost be large enough for their Read more ...
Hanna Weibye
The Dream has at its heart a great partnership. Not just the original, magical pairing of Anthony Dowell and Antoinette Sibley, for whom Frederick Ashton created the ballet fifty years ago (thereby launching one of the top couples in ballet history), but the partnership of Titania and Oberon themselves. Regal, fickle, fast, flighty, and dangerous, these two are equals as lovers and as rulers: it is their quarrel that starts the story and their smouldering reunion that brings it to a happy conclusion.So you need two good principals for a really perfect Dream – ideally with more than a hint of Read more ...