Reviews
judith.flanders
Many people use that weaselly phrase about Antony Gormley, saying he “divides the critics”. For the most part this is not true: for the most part the critics loathe Gormley’s work. They suggest he is either a bad figurative sculptor masquerading as a conceptual artist, or a bad conceptual artist masquerading as a figurative sculptor. This is really just a whinge that he doesn’t fit in a box, but so what? Perhaps more useful is to think of him as the little girl with the little curl, because when he is good he is very, very good - the installation at Crosby Beach - and when he is bad he is Read more ...
Jasper Rees
This is a modest film – only 80 minutes long – with big things to say about the way celebrity warps the lives of all who come into contact with it: not only of the elect few whose faces adorn teenage walls, but also those lonely girls in their bedrooms who conjure up a sustaining fantasy that some of the fame will brush personally off on them.Two teenage girls, both blindly enamoured of a (fictional) Liverpool player called Lee Cassidy, meet at the gates of Anfield. Obsession is their bond. Nicole (Kerrie Hayes), blonde, tentative and from a broken home in a poor part of the city, has drawn a Read more ...
Ismene Brown
Ninette de Valois said the solution to a shortage of choreographic talent was this: “You wait.” Waiting through the Nineties and early Noughties proved the Royal Ballet founder’s point - suddenly new distinctive ballet talent is cropping up all over the place. Taking the pressure off Christopher Wheeldon and Wayne McGregor, young Liam Scarlett showed his confident colours this spring, and now, segueing on from his distinctive performing career at Covent Garden, here is Viacheslav Samodurov, the undoubted star of the Royal Ballet’s New Works programme in the Linbury Studio last night.This Read more ...
gerard.gilbert
Call me a grumpy old man if you like, but on an average week it can be hard to see the point of BBC Three - unless the point is for an overly expansionist state broadcaster to patronise the nation’s youth as a generation of weight- and Wag-obsessed delinquents with an unhealthy taste for autism and Asperger’s. But then on rare good weeks – or perhaps even years - along comes an original show like Little Britain, Being Human or Blood, Sweat and T-Shirts which suggest that maybe, just maybe, all that investment has been worthwhile. Pulse, the pilot for a potential new hospital horror series, Read more ...
Russ Coffey
If you thought Chamber Pop was dead, think again. The Divine Comedy are back with a new album, Rufus Wainwright is playing Meltdown, and The Leisure Society are gradually building up a cabinet of awards. The genre may sometimes come over as the musical equivalent of David Mitchell in Lawrence Llewellyn-Bowen’s clothes; but over-educated young men, it would seem, will not be easily be distracted from expressing their ironic observations. And Brighton’s The Miserable Rich do such observations as well as anyone.Perhaps best known for their affectionate portrait of a drunk, "Pisshead", The Read more ...
fisun.guner
Here’s a question: what have the eminent Victorian statesman and four-times prime minister William Gladstone and the Nazi Reichsführer Heinrich Himmler have in common? Well, if you didn’t catch last night’s Timewatch Special, you'd probably never guess. They were both obsessed with discovering that great, drowned civilisation of antique myth, Atlantis. Gladstone thought it was located somewhere on the South Atlantic, so he proposed a government sponsored expedition but was turned down by the treasury, and Himmler thought that the Ayrian master race was directly descended from Atlantians and Read more ...
Tom Birchenough
We’ll never feel the real impact - an all too apposite word - of the violence in Michael Winterbottom’s The Killer Inside Me, given that it has dominated pre-release publicity for the film. The suspense of waiting for it will surely distract viewers from any suspense that the director was trying to create naturally through the formal build-up of unease within the plot and environment he’s taken on from Jim Thompson’s noir novel.If that leaves Winterbottom somewhat hoisted by his own petard, the director more than makes up for it with his immaculate control of a movie dominated by the ( Read more ...
Adam Sweeting
Thus I approached What Makes a Great Tenor? in a spirit of moderate scepticism. Had appearing on Popstar to Operastar destroyed at a stroke the credibility of its presenter, the Mexican tenor Rolando Villazón? In a bid for the dreaded "accessibility", were they about to propose Paul Potts, the Carphone Warehouse Pavarotti, as the answer to the titular inquiry? Happily neither. In fact the programme struck an almost perfect balance between erudition, entertainment and a genuine fascination with the historical lore and legend of the opera house.As a presenter, Villazón radiates a hyperactive Read more ...
aleks.sierz
The late Simon Gray, who died in 2008, lived a ragged, bruised and battering life. I usually think of him as the John Prescott of playwrights, except that he was miles more articulate, and eventually rewarded by a CBE rather than a peerage. Anyway, he was pugnacious and out of step with playwriting trends. In an age of lefty state-of-the-nation dramas, Gray explored the emotions of upper-middle-class characters and their difficulties with communication. Although he could be irascible, and his published diaries are scorchingly rude, the default position of his plays is an ironic melancholy, as Read more ...
fisun.guner
These days, it seems that approaching any new Saatchi exhibition, especially one that promises to be even bigger than all the previous ones held at the multi-galleried, three-storey Chelsea venue, makes the heart fairly sink. How much bigger, you want to ask, and why use size as a measure of anything? Surely there isn’t enough headspace to accommodate all those loud, clamorous, “look-at-me” artworks favoured by Saatchi all in one go? And this is just Part One. Part Two will be something to look forward to in late October. I’m probably not alone in feeling this. After all, this isn’t the Read more ...
william.ward
Golfing for Cats: Alan Coren once invented the perfect book title on the basis that if you combined those who follow the activities of Tiger Woods with those who adore smaller domestic felines, you have a massive demographic primed to buy your last tome. Likewise for TV commissioning editors, there must be something tempting about the high-concept hybrid. As part of a season designed to interest the Great British audience in the arcane delights of the operatic tradition (which other shows in the series remind us was born in Italy), what better way to sugar the pill than to stick a much- Read more ...