Reviews
Veronica Lee
Randy Feltface, Assembly George Square ★★★★ Despite being made of felt, with a gash for a mouth and two googly eyes, Randy Feltface (always seen in the vicinity of Heath McIvor) can, astonishingly, appear to emote. Of course, he can't – we are feeling the emotions – but in response to what Randy is saying, whether it's serious or silly. It's an astonishing trick to pull off, and McIvor does it brilliantly.Randy's latest outing, Alien of Extraordinary Ability, tackles some big subjects, not least what humans are doing to our planet, and how we have wasted the chance to reset that the Read more ...
David Nice
“Variety is the spice of life! Vive la difference!,” chirrups the ensemble at the end of this giddying double bill. And there could hardly be more singular variety acts than a potential suicide at the end of a phone line, a woman who lets her breasts fly away and grows a beard, and a husband who breeds 40,049 children on his own.Favourite Glyndebourne Director Laurent Pelly has gift-wrapped Poulenc’s two one-act one-offs with intelligence, verve and visual brilliance - which in the first case means semi-darkness, in the second all the colours of the rainbow - and conductor Robin Ticciati Read more ...
Helen Hawkins
The gifted writer-director Stefan Golaszewski (Him and Her, Mum) has surpassed himself with his latest drama series, Marriage. Given hour-long episodes to play with, rather than the usual half-hour, he has created an unfeasibly rich four-parter out of the simplest of means.We are in Golaszewski’s usual world of bedded-in domestic routine, where characters often hide their feelings and assume it’s just what you do. It looks like a comedy of modern manners, but it’s a minefield. Tonally, it’s in gradations of beige, pale grey and watery green, both visually and emotionally; then, much like the Read more ...
Juliette Bretan
The businessman in Heinrich Maria Davringhausen’s Der Schieber (The Profiteer), 1920-1921 sits several floors above the city streets, pencil in hand; the high-rise buildings pressing at the windows around him. Not in Germany. In France.Across the sixth floor of the Centre Pompidou in Paris, framed by its spectacular floor-to-ceiling windows, a sprawling, multidisciplinary exhibition is currently on show, devoted to works by the Neue Sachlichkeit (New Objectivity) movement, active in Germany in the 1920s.In the aftermath of the First World War, avant-garde, utopian and idealistic styles Read more ...
Veronica Lee
Ania Magliano, Pleasance Courtyard ★★★★Ania Magliano is debuting at the Fringe with Absolutely No Worries If Not, an hour that explores her sexual awakening. She has only recently realised she's bisexual, which means she still likes straight culture. “I think All Bar One is a great space,” she say drily.Magliano, an instantly likeable presence on stage, used to work in Lush – cue some cruel but very funny descriptions of those who work and shop there – and talks about her time at an all-girls boarding school. She describes the two kinds of girl it produces – those who had eating Read more ...
Simon Thompson
What happens when great musicians play weak music? I couldn’t help but think about that while I listened to the musicians of Chineke! Chamber Ensemble (★★) on Friday morning in Edinburgh’s Queen’s Hall. Chineke! was founded to provide opportunities for black and ethnically diverse classical musicians, so it’s a logical step for them also to promote music written by non-white composers, too. I wish they’d picked better music than what they played in this Edinburgh International Festival programme, though.Every piece in the concert's first half felt humdrum and spun out, the composers either Read more ...
Kieron Tyler
“Telstar” was released 60 years ago this week. On 17 August 1962, British record buyers could purchase the second single by The Tornados, a band whose claim to fame until then was being Billy Fury’s back band – their March 1962 debut 45 was fittingly titled “Love and Fury.”It took a while, but “Telstar” entered the Top 40 in early September. It held the top spot throughout October and the first week of November, and was a big seller in continental Europe, especially France. More surprisingly, it became a US number one over Xmas 1962 and New Year 1963. The Tornados were the first British group Read more ...
David Kettle
First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even the very un-festival-like hot weather that put people off an evening inside Edinburgh’s Lyceum Theatre. Or maybe (very possibly) continuing Covid concerns. Whatever the reason, it’s dispiriting to see so few people in the audience for what must surely be one of the most ambitious and most powerful theatrical offerings taking place in Edinburgh this year.Counting and Cracking is a multi-generational, multi-lingual, multi-locational, decades-spanning Read more ...
David Nice
Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw Orchestra in 2027, knows exactly where he’s going: a crucial asset in the idiosyncratic ebb and flow of orchestral oddities by Sibelius and Strauss. So, too, does pianist Yuja Wang; boundless imagination matched to phenomenal technique made something far more fascinating than usual of Liszt’s First Piano Concerto.If you dwell too much on the age of one – yes, I mentioned it just the once – or the fashion sense of the other – she can wear Read more ...
Veronica Lee
Sara Barron, Pleasance Courtyard ★★★★Sara Barron is known for her no-holds-barred comedy style – or “American energy” as another mum at her son’s school calls it – but in her fast-paced new show she pushes even further, addressing as she does her fertility treatment and a miscarriage.But Hard Feelings is not sad, far from from it. It is an hour of often raucous comedy, telling it like it is, whether that’s about the reality of sex in a long-term marriage, dirty bums or frenemies.She warms up the audience – Barron does great crowd work – with some observational shtick Read more ...
Boyd Tonkin
Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places and people. Well, maybe not – but it was hard to banish all thoughts of geography, even of biography, at the Proms as the BBC Philharmonic under Eva Ollikainen travelled from Anna Thorvaldsdottir’s chthonic Iceland to Sibelius’s composite Italy-Finland by way of the intensely subjective journey embodied in Elgar’s Cello Concerto. Kian Soltani – Austrian-born with Iranian heritage, and something of a cross-cultural voyager himself – was the soloist in Read more ...
Adam Sweeting
The last couple of series of Shetland (BBC One) brought the previously much-loved series alarmingly close to shark-jumping territory, converting the remote and thinly-populated Shetland archipelago into a war zone teeming with people-trafficking gangs, murderers and drug dealers. Can Series 7 restore some sanity?This opening episode slithered down the ramp for a promising start. Series 6 left the career of DI Jimmy Perez (Douglas Henshall, here making his last appearance in the role) hanging in the balance, in the aftermath of the death of Donna Killick and her attempt to implicate him in a Read more ...