Reviews
Adam Sweeting
Setting his third series of A House Through Time in Bristol (BBC One) was a stroke of inspired prescience for historian and presenter David Olusoga. His chosen house, Number 10 Guinea Street, had been built in 1718 by the slave-trafficking Captain Edmund Saunders, at a time when Bristol was becoming one of the leading slaving ports in Britain.The recent furore over the statue of the city’s most notorious slaver, Edward Colston, which was hurled into the river Avon by Black Lives Matter protesters, was a lurid reminder of how the legacy of slavery continues to burn a hole through time. Current Read more ...
Heather Neill
What could be better for a lockdown summer night "out" than a virtual visit to Shakespeare's Globe? Simultaneously in a theatre and the open air, we can share the visible enjoyment of hundreds of others, the very opposite of self-isolation and social distancing. And this Elizabethan-dress production of A Midsummer Night's Dream, directed by Dominic Dromgoole in 2013, exploits the unique qualities of the Globe to the full. The cast, led by its present artistic director, Michelle Terry, as Titania/Hippolyta and John Light as Oberon/Theseus with Pearce Quigley as a hilariously bossy, attention- Read more ...
Miranda Heggie
I'm not sure if it was the beauty of Roderick Williams’s velvety vocals, the poignant delight of seeing a live performance in a concert hall after all this time, or my generally unusual frame of mind during lockdown that caused me to immediately burst into tears at the opening bars of Schubert’s "Gretchen am spinnrade" ("Gretchen at the Spinning Wheel"), but the fact no other audience members were around to witness my impromptu blubbering was certainly one plus point to watching Williams and pianist Joseph Middleton’s Wigmore Hall recital at home on my laptop. Having listened to most of the Read more ...
Florence Hallett
The former home of 19th century architect Sir John Soane has long been celebrated as one of London’s hidden marvels, an astonishing treasure trove of architectural models, paintings, sculptures and historical artefacts concealed behind an elegant but unassuming facade. Now, parts of Sir John Soane’s Museum can be accessed even in lockdown, the result of an ongoing project to create a 3D digital replica of the site and its contents, accessible online by anyone, anywhere.Created using 3D scanning technology, the digital replica follows a major restoration project, intended to return the museum Read more ...
David Nice
Vintage champagne was served up last night, and whether you found the glass half-full or half-empty would depend on your perspective. In the bigger picture, it's disappointing that not more musicians could return to the Royal Opera House stage, and no-one to the auditorium, as they've been doing to concert halls in Norway, Sweden and Czechia, and to a car-park transformed as operatic space in Berlin (next Saturday, when Covent Garden starts charging for content, more players will, for Schoenberg's chamber arrangement of Mahler's Das Lied von der Erde). But given the constraints, the Royal Read more ...
Jessica Payn
The epigraph chosen for Holiday Heart locates the book within the tense of an “afterwards”: not passion, but what follows, the wakeful lull and wide-eyed studying of another, in which scrutiny supplants desire: “Afterwards, when we have slept, paradise-comaed and woken, we lie a long time looking at each other.” It’s a poem by Sharon Olds called ‘The Knowing’, a title appropriate to Margarita García Robayo’s central characters, Lucía and Pablo, a married couple who have been together for nineteen years, who are in their different ways difficult to like, and who are fully familiar with the Read more ...
Kieron Tyler
John Lee Hooker’s recording career began on Friday 3 September 1948. He’d attracted the attention of the Kiev-born Bernard Besman, who was in Detroit after his family moved there in 1926 following five years in London’s East End. By the 1940s Besman, who played piano, was a veteran of dance bands and also worked as a booker. In 1946 he began working with records. At the time of encountering Hooker, Besman co-owned Sensation Records. Its early, pre-Hooker, signings included The Todd Rhodes Orchestra, Lord Nelson and his Boppers and the Doc Wiley Trio – who variously traded in boogie, jazz and Read more ...
Boyd Tonkin
History, as protestors around the world currently insist, can be the art of forgetting – and erasure – as much as of memory. Although it explores a single incident from a century ago, Yuri Herrera’s brief, forensic but quietly impassioned account of a Mexican mining disaster may speak directly to the movements that now seek to reclaim a buried past from beneath official records. Over his three previous novels, above all in the award-winning Signs Preceding the End of the World, the author has poured the molten conflict and change of contemporary Mexico (and Latin America) into individual Read more ...
India Lewis
The Pet Shop Boys' film It Couldn’t Happen Here, originally released in 1988, has been given a new outing on a BFI Blu-ray/DVD that contextualises it with special features. While it's an entertaining snapshot of a particular time in British and pop history, and while I don’t wish to be churlish, that's about as far as it goes.
It's one of those films that one watches and spends a large amount of time wondering what it means, before realising that it doesn’t mean all that much. It's essentially an overblown music video soundtracked entirely by songs from two albums (Actually Read more ...
Owen Richards
It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s appearing on streaming service Disney+ rather than waiting for a cinematic release probably answers that question.Loosely based on Eoin Colfer’s popular novels and helmed by Kenneth Branagh, 12-year-old Artemis Fowl II (Ferdia Shaw) must save his kidnapped father by infiltrating the secret society of fairies, dwarves and goblins. Alongside his bodyguard Read more ...
Graham Fuller
Echo in the Canyon is a lamentably thin documentary about the vibrant folk-rock music scene that flourished in the bohemian Los Angeles neighbourhood of Laurel Canyon from 1965 to 1967. Though it features priceless vintage footage of the Beach Boys, the Byrds, Buffalo Springfield, and the Mamas and the Papas and interviews with some surviving members, it weirdly comes across as a vehicle for Jakob Dylan.The singer-songwriter was born in 1969, the year in which Jacques Demy’s only American film Model Shop was released. Inspired by the mood of Demy’s semi-documentary love-letter to Los Angeles Read more ...
Rachel Halliburton
It has been the fate of George III – who on many levels was a visionary and accomplished monarch – to go down in history as a comic figure, most famed for losing first America and then his mind. This Nottingham Playhouse production tells his story with all the wit and elegance of a tune played on a harpsichord, yet it is made remarkable by the way in which it simultaneously excavates the pain and pathos underlying his condition.That is due not least to an extraordinary performance from Mark Gatiss in the title role. Gatiss arrives in this production on the wings of a prolific and varied TV Read more ...