Reviews
Sebastian Scotney
Escapism sometimes feels not just useful but necessary. To be carried back, for an evening, to the world of the 1920s/1930s dance band, with foxtrots, pasodobles, crisp starched collars and secco endings, of slick hair and even slicker arrangements, does have a lot to recommend it. And a virtually packed house in Cadogan Hall last night were palpably more than happy to be taken there.We were in assured hands. Although this is the very first UK tour by the 12-piece, Berlin-based Palast Orchester, the band led by Max Raabe has existed since the singer started it in1986, and it has kept hold the Read more ...
David Nice
Vendetta, morte: what a lark to find those tools of 19th century Italian opera taken back to their mother tongue in a Milanese take on Jacobean so-called tragedy, where the overriding obsession is on mortalità. It would take a composer of savage wit like Gerald Barry to set Middleton's satirical bloody-mindedness to music today. With Declan Donnellan directing, though, La tragedia del vendicatore remains too prosaic and half-literal a play. The attribute that's missing from the Italian lexicon here is bravura.The snazzy Dances of Death towards the beginning and at the end (pictured below Read more ...
Sarah Kent
A young woman sits sewing (pictured below right: Young Woman Sewing,1655). She is totally immersed in her task, and our attention is similarly focused on her and every detail of her environment. The cool light pouring though the window illuminates her work and also gives us a clear view. She sits on a wooden platform that raises her above the cold floor tiles; on one side of her is a linen basket and, on the other, an ebony chair, its carved back and legs picked out with gleaming dots of light. Resting on the chair is a lacemaking kit replete with beautifully observed little bobbins, waiting Read more ...
Veronica Lee
ITV's drama department is in overdrive at the moment, with a seemingly endless release of series with high production values and stellar casts, and the latest is The Trouble With Maggie Cole. It's a six-parter based on an idea by Dawn French (who also stars) and is written by Mark Brotherhood.It's set in Thurlbury, a fictional coastal community in the West Country, where everybody knows everybody else. Self-appointed “local historian” Maggie Cole (French), who has a museum cum gift shop at the town's ancient keep, minds everyone's business but her own, and is flattered when a local radio Read more ...
Nick Hasted
Stereophonics climbed out of Cwmaman in the South Wales valleys minus charisma, musical originality or excitement. They make rock music that is conservative and unriotous, offering comfort not commotion. And yet their solid, straightforward strengths, embodied in Kelly Jones’ gravel-flecked, smoothly powerful voice, confidently carry a two-hour set with 11 hit albums to draw from. “I try to make them as honest and true as I can, and then I play them to you people,” Jones says of his songwriting MO. Meat and potatoes can be a hearty, nourishing diet.Jones recalls ZZ Top, Zeppelin and the Read more ...
Adam Sweeting
In this aptly-titled series (BBC One), four British 20-somethings visit the USA to investigate the inner workings of the beauty industry. Perhaps not surprisingly, they discover that it’s a hotbed of greed and exploitation.Their first stop was the Beautycon exhibition in Los Angeles, a must-see gathering of 30,000 “beauty fans” and (ghastly neologism alert) online “influencers”. The latter included the glittering Kenneth Senegal, who can earn $14,000 by mentioning a cosmetic product in one of his videos. Chloe (a Belfast-based beauty blogger) and Casey (a fastidiously made-up gay man from Read more ...
Adam Sweeting
Based on the book by former political prisoner Tim Jenkin, Escape from Pretoria is an intermittently engaging jailbreak tale set in South Africa’s apartheid regime in the 1970s, as well as further evidence of Daniel Radcliffe’s determination to run as far as possible in the opposite direction from his past life as Harry Potter. Its only problem is a troubling case of schizophrenia, since it’s not sure whether to be a pared-down thriller or a political statement.Radcliffe plays Jenkin, who with his fellow African National Congress-supporting comrade Stephen Lee (Daniel Webber) gets arrested Read more ...
aleks.sierz
Since 2000, Esther Baker's Synergy Theatre Project has worked with prisoners, ex-offenders and young people at risk of offending to produce powerful dramas about some of the most fraught social situations you can imagine. The latest show, written by playwright Hassan Abdulrazzak and researched in collaboration with Prisoners Abroad, is a verbatim piece about the subject of transatlantic deportation. In the current climate of Brexit trade talks, can this show – an ideal fit for this venue – cast any light on the much-vaunted special relationship between the UK and the USA?In the American Read more ...
Adam Sweeting
Rob Brydon and Steve Coogan have been taking their bickering TV trips for a decade, beginning in the north of England in 2010 before working their way around Italy, Spain and now Greece (on Sky 1). They say this will be the last time, but believe that at your peril.Coogan has estimated that the characters they play in The Trip are about 30 per cent real and 70 per cent fictionalised, and part of the show’s allure is trying to spot the join between the two. No doubt this was the plan when director Michael Winterbottom (who has helmed all four series) originally sold it to them, perhaps not Read more ...
Adam Sweeting
The first series of Liar, one of many thrillers from the fertile keyboards of Jack and Harry Williams, was on ITV back in 2017, so you may have forgotten the somewhat labyrinthine details. In a nutshell, smarmy surgeon and serial rapist Andrew Earlham (Ioan Gruffudd) had been unmasked by the dogged (and sometimes illegal) methods of one of his 19 victims, schoolteacher Laura Nielson (Joanne Froggatt). However, before the police could arrest him, his dead body was found in the marshes on the Kent coast, with its throat cut. End of series one.An early revelation in this new season was that DI Read more ...
Matt Wolf
It’s not so much that Pretty Woman: The Musical isn’t much good, which it isn’t. More to the point is that this West End replica of the recent Broadway musical of the 1990 film feels utterly superfluous: a gloss on a popular romcom that doesn’t improve upon or deepen our appreciation of the original in any way. Indeed, at the press preview attended, one could feel the audience all but marking time until the iconic Roy Orbison song of the title gets trotted out in order to bring an expectant crowd to their feet. Nothing else in the preceding two and a half hours comes close to Read more ...
Katherine Waters
Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing campaign, the work of the two artists was published side-by-side in the December 1942 edition of the pioneering illustrated magazine, Lilliput. As a caption beneath a sleeping woman reads, “It is interesting to note how often Brandt and Moore, working quite independently of each other, chose very similar subjects for their work.” The magazine’s full-page Read more ...